书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：恽寿平；题跋位置：本幅；款识：蒲塘真趣。六月八日恽寿平在南田草堂画。；书体：行楷书；全文： 印记：叔子、南田草衣

主题:

主要主题：花草莲荷 ；其他主题：花草 草；其他主题：果蔬莲蓬 

技法:

写意 皴法 苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页163 收藏着录： 故宫书画图录，第三十册，页286-289 参考书目： 1..〈清　恽寿平　蒲塘真趣〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页96。 内容简介（中文）： 恽寿平（1633-1690），原名格，字寿平，后以字行，江苏武进人。初善作山水，因自谦无力与王翬（1632-1717）争胜，遂改工花卉。画法承自徐崇嗣（10世纪后半）之没骨法，又参以己意，风格独创，蔚为清代花卉画宗师。 本幅选自＜清花卉画册＞，笔墨较为疏朗，带有放逸的趣味。自题「蒲塘真趣」，以小景式构图方式画芦苇塘边实景，但见前有坡地，后荷之花叶半出，然一莲蓬向左挺伸向上，打破荷与坡地均分画幅右半的局面，使画面有了律动感，活泼起来。(20110102) 内容简介（英文）： Yun Shouping originally had the name Ge and the style name Shouping, by which he later went. A native of Wujin in Jiangsu, he at first excelled at landscape painting but later felt that he could not compete with the master Wang Hui (1632-1717), turning to flowers instead. His style derives from the “boneless” method of washes used by Xu Chongsi (fl. latter half of 10th c.), but with his own interpretation as well. With his unique style, Yun Shouping became a master of flower painting in the Qing dynasty.This leaf comes from “Album of Qing Flower Paintings.” The brush and ink here is relatively light and airy, giving it a leisurely and untrammeled feeling. The title in four characters as it appears at the left suggests actual “intimate scenery” of reeds by the banks of a pond. However, instead what we see in front is a slope with lotus blossoms and leaves behind. A lotus pod extends out to the left and upwards, balancing the division of the painting focused on the right with the blossoms and slope. This makes the surface have a more rhythmic feeling and enlivens the scenery.(20110102)