书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

明神宗万历四十年（1612）

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：李士达；题跋位置：本幅；款识：万历壬子（西元一六一二年）三月。写于石湖村舍。李士达。；书体：行书；全文： 印记：士达

主题:

次要主题：人物官员（臣） ；次要主题：人物侍从（侍女、童仆）童仆；次要主题：山水奇石 ；次要主题：花草桃花 ；其他主题：树木寒林．枯树枯树；其他主题：器用扇 ；其他主题：器用家俱（屏风）桌、椅；其他主题：器用饮食器灶、盘、碗；其他主题：器用文房用具笔、砚、卷

技法:

工笔 写意 皴法 苔点 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈三编（干清宫），第二册，页610-611 收藏着录： 故宫书画录（卷八），第四册，页164 收藏着录： 故宫书画图录，第三十册，页146-153 内容简介（中文）： 李士达（生卒年不详），江苏吴县人。号仰槐。万历二年（西元一五七四年）进士，后隐居不仕。画人物、山水名世。 春夜桃花林下，高士雅集，或张素赋诗，或閒倚啜饮，旁有童子执壶燃薪，各具情态。似写李白「春夜宴桃李园序」一文的情景，李士达曾论画有「五美」云：「苍、逸、奇、远、韵。」此画笔墨苍深，人物造型有古拙之趣，足以印证他的画论。款万历壬子为西元一六一二年。 本幅为「明人画扇」册第十开。 内容简介（英文）： Figures in Forested MountainsLi Shih-ta (fl. late 16th-early 17th century)Ming Dynasty Li Shih-ta (sobriquet Yang-kuai) was a native of Wu-hsien, Kiangsu. After he received his chin-shih civil service examination degree in 1574, he became a hermit and did not take office. He was famous for his paintings of figures and landscapes. In this painting, a literary gathering of scholars is taking place under a canopy of peach blossoms on a spring evening. Some of them unroll sheets of paper to compose poetry, and others relax with refreshments. Off to the side are boy attendants warming a container over kindling. Everything in the painting has been rendered full of sentiment, as if the painting represents a scene described in Li Po’s (701-762) “Preface to ‘A Banquet in the Peach-Plum Garden on a Spring Evening.’ ” Li Shih-ta once discussed painting as having the “Five Beauties” of “Strength, Untrammeledness, Eccentricity, Distance, and Vibrancy.” The ink and brushwork in this painting are rich and deep, and the depiction of the figures has a sense of archaic clumsiness; they thus all sufficiently prove his theory of painting. The inscription on this work is dated to 1612.