书体:

色彩:

设色

装裱形式:

册(蝴蝶装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：宣统御览之宝
收传印记：保贻

题跋资料:

题跋类别：作者款识；作者：陆治；题跋位置：本幅；款识：晓日曈胧溢露华。轻绡零乱掩流霞。东皇未许春光洩。犹与芳云一半遮。陆治。；书体：行楷书；全文： 印记：陆氏叔平

主题:

主要主题：花草海棠（木） 

技法:

写意 没骨 

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页730 收藏着录： 故宫书画录（卷八），第四册，页164 收藏着录： 故宫书画图录，第三十册，页204-207 内容简介（中文）： 陆治（西元一四九六－一五七六年），江苏苏州人。字叔平，住在包山，因号包山子。以孝友着称，好为诗及古文辞，善行楷，尤通绘事，游祝允明、文征明之门。其于绘画，力求出奇致胜。工写生，点染花鸟竹石亦颇能传神，是明代有名的画家。 画木本海棠。凡画花卉不论工致写意，落笔有如布棋，俱以得势为主，取势以枝梗为先，本幅虽仅三枝，但自有一份生动之意，是穿插得宜所致，设色亦古雅。本幅为「明人画扇集册－下」册第三开。 内容简介（英文）： Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu became a well-known Ming dynasty painter.When depicting a crab-apple tree, whether employing the kung-pi (meticulous depiction) or hsieh-i (impressionistic sketch) method, the composition of such a flower painting resembles the deployment of go-game pieces. Of primary importance is to establish a proper stance, which in painting relies on the positioning of the branches. Although there are only three branches in the painting, there is still a sense of vitality which serves to further the quality of the piece. The application of color is antique and elegant. This is the third leaf from A Collection of Fan Paintings by Ming Artists, vol. II.