书体:

色彩:

设色

装裱形式:

册(蝴蝶装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：陈栝；题跋位置：本幅；款识：陈栝；书体：行书；全文： 印记：陈栝之印

主题:

次要主题：山水奇石 ；次要主题：树木芭蕉 ；次要主题：花草紫藤 ；其他主题：花草 草

技法:

写意 没骨 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页493-494 收藏着录： 故宫书画录（卷八），第四册，页165 收藏着录： 故宫书画图录，第三十册，页236-243 参考书目： 1.〈明　陈栝　芭蕉紫薇〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页118。 内容简介（中文）： 陈栝（16世纪中叶），字子正，号沱江，长洲（今江苏苏州）人。陈淳（1483-1544）子，为人放诞不羁，行事有东晋竹林七贤之风。善画花卉，颇能继承其父画风。笔势飞劲，饶有生趣。本幅选自＜明人便面集锦册＞。笔墨浑厚，在扇面形式的空间中，安排湖石当前，后为芭蕉与紫薇。有趣的是紫薇在芭蕉丛后，几不见主干，三主题在画幅中央，成为三层式排列，花叶交错，显有刻意营造层次和深度感之意。(20110102) 内容简介（英文）： Chen Gua (style name Zizheng, sobriquet Tuojiang) was a native of Changzhou (modern Suzhou, Jiangsu). The son of Chen Chun (1483-1544), he was known for his abandoned character, behaving much in the manner of the Seven Sages of the Bamboo Grove during the Eastern Jin period. He excelled at painting flowers, inheriting his father’s painting style. His brush flew with force, demonstrating considerable vitality.This leaf, originally a folding fan, comes from the album “Collected Brocade of Ming Folding Fans.” The brushwork is simple and strong, depicting the arrangement of an ornamental lake rock in front and plantain with crape myrtle behind as they spread out across the surface. What is interesting here is that the crape myrtle is behind the plantain so that its trunk is virtually invisible. The three motifs are also concentrated in the middle of the painting to create a composition with three layers. With all the blossoms and leaves intersecting each other, it creates an obvious sense of layering and depth.(20110102)