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册(推蓬装‧折扇式)创作时间:
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题跋类别:作者款识;作者:项圣谟;题跋位置:本幅;款识:醉问海棠花。不酒如何醉。欲语似伤春。又似贪春睡。项圣谟笔。;书体:草书;全文: 印记:癡子业、字孔彰、友竹主题:
主要主题:花草海棠(木)技法:
没骨参考资料:
收藏着录: 故宫书画录(卷八),第四册,页165 收藏着录: 故宫书画图录,第二十九册,页106-109 内容简介(中文): 项圣谟(西元一五九七至一六五八年),秀水(浙江嘉兴)人。字孔彰,号易庵,又号胥山樵,别号松涛散仙、存存居士。元汴孙。工书及篆刻,善山水人物花卉。家贫志洁,鬻画自给,说者谓子京有此文孙,不负好古鉴赏,百年食报之胜事。卒年六十二。 本幅金笺本,纸性不易吸水,笔顿处遂常凝聚墨色,反使此画面突显了花叶向背的分别。海棠干分两枝,向左右延伸,虽取物单一,却在画家精细观察,运用没骨写意笔法下,展现了向荣翠豔的风貌。本幅选自「名人画扇」册。 内容简介(英文): Hsiang Sheng-mo (style name K’ung-chang, sobriquet I-an) was the grandson of the famed collector Hsiang Yüan-pen. Although he was born into a poor family, they felt fortunate that Sheng-mo also cherished and collected ancient artifacts, thus continuing a family legacy. Hsiang’s fortes were calligraphy, and the painting of landscapes, figures and flowers. He died when he was 62 years of age. This painting was executed on gold-flecked paper which does not readily absorb water. Thus, the points at which the brush was pressed down on the painting surface often evidence concentrations of ink, resulting in a great contrast between flowers, leaves, and their background. The cherry-apple branches represented here was depicted after very careful observation. The artist’s use of the impressionistic “boneless” technique has rendered cherry-apple blossoms in their bright, fresh charm.