书体:

色彩:

水墨

装裱形式:

册(推蓬装‧折扇式)

创作时间:

清圣祖康熙五年（1666）

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：上睿；题跋位置：本幅；款识：林静山益深。峯寒路逾翠。却有看泉人。更进苍茫去。丙午（西元一六六六年）莫春倣子久笔法。为林老大师。蒲室叡。；书体：行书；全文： 印记：叡、目存、邨僧

主题:

主要主题：山水  ；次要主题：树木  ；次要主题：建筑房舍 ；其他主题：山水江河、湖海 ；其他主题：人物高士（士人、隐士） ；其他主题：建筑桥 ；其他主题：建筑篱笆、围墙篱笆

技法:

苔点 人物衣纹描法(减笔) 皴法披麻皴

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页165 收藏着录： 故宫书画图录，第二十九册，页102-105 内容简介（中文）： 上睿（西元一六三四－？），僧，江苏苏州人。字浔濬，号目存，又号蒲室子。山水得王翬指授，有唐六如笔意，花鸟得恽寿平法。亦善人物，诗工秀。当路荐入京师，旋以疾告归。少居瑞光寺，后居东禅寺，与惠士奇，张大受结诗社。明崇祯七年甲戌生，卒年不详。本幅为名人画扇册下第八幅。 内容简介（英文）： Monk Shang-jui was a native of Suchou in Kiangsu province. His style name was Hsun-jui and sobriquets were Mu-ts’un and P’u-shih-tzu. In landscape painting he received Wang Hui’s instruction and was able to acquire the style of T’ang Ying; in flower and bird painting he obtained the style of Yun Shou-p’ing. He was also good at figure painting and wrote refined poems. Recommended by some high official, he went to the capital and was employed in government, from which he took leave on account of ill health and returned home. In his youth he stayed at the Jui-kuang Temple, but eventually lived at the Tung-ch’an Temple. He organized a poets’ association with Hui Shih-ch’i and Chang Ta-shou. This painting is from the album Fan Paintings by Renowned Artists.