书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：恽寿平；题跋位置：本幅；款识：神女温香笼翠袖。铢衣新制剪红云。为冀老道翁鉴之。寿平。；书体：行书；全文： 印记：寿平之印

主题:

主要主题：花草牡丹 

技法:

没骨 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第六册，页2685-2686 收藏着录： 故宫书画录（卷八），第四册，页166 收藏着录： 故宫书画图录，第二十九册，页122-127 参考书目： 1.〈清恽寿平牡丹〉，收入国立故宫博物院编辑委员会编，《牡丹名画特展图录》（台北：国立故宫博物院，1987年四月初版），页43。 内容简介（中文）： 恽寿平（西元一六三三－一六九○年），江苏武进人。初名格，后以字行。诗格超逸，书法得褚遂良神髓，遒逸可爱；画笔生动，时称「三绝」。画初学山水，后自觉无力与王翬争胜，乃专攻花卉，以徐崇嗣没骨法参以己意，创立独特风貌，成为清代花卉画宗师。本幅为「名人画扇贰册」中一幅，没骨写牡丹一枝，色彩中含有丰富水份，故具透明澄澈之感，益觉清逸动人。 内容简介（英文）： PeonyYün Shou-p’ing (1633-1690)Ch’ing Dynasty A native of Kiangsu, Yün Shou-p’ing was the leading essayist and poet of the Six Gentleman of P’i-ling. Considered one of the Six Masters of Early Ch’ing, he is ranked as a leading painter of his age. Originally specializing in landscapes, he felt he could not equal Wang Hui and consequently focused on flowers and plants. Incorporating the “boneless” wash method in his repertoire and creating a new style, he became a leader in the genre. This painting of a single peony painted in the “boneless” wash style has been selected from the two-volume album entitled Famous Painted Fans. Much water has been added to the washes of color, giving the flower a pure and translucent quality.