书体:

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

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参考资料:

收藏着录： 故宫书画录（卷八），第四册，页155 收藏着录： 故宫书画图录，第二十八册，页142-147 参考书目： 1.王耀庭、陈韵如，〈清姚文瀚芳亭采花(绘山水楼台画册第一)〉，收入王耀庭主编，《新视界 : 郎世宁与清宫西洋风》（台北：国立故宫博物院，2007年初版），页128-129。2.刘芳如，〈清姚文瀚绘山水楼台〉，收入国立故宫博物院编辑委员会编，《仕女画之美》（台北：国立故宫博物院，1988年四月初版），页88。 内容简介（中文）： 姚文瀚（约活动于西元一七三六至一七九五年），北平人。号濯亭，乾隆时供奉内廷，工佛道人物。绘庭园一角，台阁内仕女，或展卷品赏，或对奕，或谈心，或撷花入器，为宫廷仕女休閒写照。本幅用笔纤细劲挺，设色雅淡明净。仕女面目姣好，气质优雅。 清式家具在制作与选材、装饰上非常讲究、罗汉床背板两侧以大理石作为镶嵌材料，犹如一幅泼墨山水画。床面下有束腰，四腿粗壮，鼓腿彭牙内翻马蹄足。旁为罗锅枨马蹄足长桌，整体造型挺拔，显得简洁大方。 内容简介（英文）： Yao Wen-han (sobriquet Cho-t’ing) was a native of Peking who served as a court painter during the reign of the Ch’ien-lung emperor (r. 1736-1795). He excelled at painting religious works and figural subjects. Depicted in this painting is the corner of a garden with a pavilion, in which palace women are together admiring scrolls, conversing, and arranging flowers in what must have been a typical palace scene. The use of the brush in this work is exceptionally refined and vigorous, while the coloring is elegant and pure. The features of the women are all graceful.Ch’ing craftsmen paid particular attention to the decoration, materials, and production of furniture. The lohan platform depicted here has a low back and sides inlaid with slabs of decorative marble cut to give the impression of splashed-ink landscapse. The platform has a waist, four short, strong drum-shaped legs, and inward-curving horse-hoof feet. To the side is a long table with humpbacked sketchers and horse-hoof legs. It is not only beautiful, but also characterized by understated simplicity.