书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅绢

释文:

印记资料:

鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：五福五代堂宝
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝之宝

题跋资料:

题跋类别：题跋；作者： 对幅 ；书体：楷书；全文：（汉满文）蓝靛颏。蓝靛颏。黑睛黑晕。目前后黑毛尖出。黑觜。头顶翠青色。两颊颔臆及项背毛俱蓝质。浅黑晕翠青。肩翅兼蓝黑二色。苍翮。蓝尾。尾尖带黑。白腹。黑足爪。案。靛颏有四种。颏毛带蓝者谓之蓝靛颏。红者谓之红靛颏。黑者谓之黑靛颏。白者谓之白靛颏。

主题:

主要主题：翎毛 白腹姬鹟（白腹琉璃）（北亚种）；次要主题：花草月季　玫瑰　蔷薇 ；其他主题：花草  

技法:

工笔 写意 双钩 苔点 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第四册，页1891-1894 收藏着录： 故宫书画录（卷八），第四册，页167 收藏着录： 故宫鸟谱，第四册，台北：国立故宫博物院，1997。 参考书目： 1.谭怡令，〈清人画蓝靛颏〉，收入谭怡令编，《画里珍禽》（台北：国立故宫博物院，1988年十月初版），页95。 内容简介（中文）： 清人画蓝靛颏两只白腹瑠璃鸟栖息在月季的枝上，虽各据上下两方，而神态相互呼应。石头用水墨钩染，笔法写意，花鸟则以工笔描绘，鸟毛丝丝入微，羽禽精详写实之状，已融入西方表现质感、量感、立体感的技法，与乾隆朝法郎世宁画法者颇为近似。本幅为「鸟谱」第四册第一开。 内容简介（英文）： Blue-and-white FlycatchersAnonymousCh’ing Dynasty (1644-1911)These two blue-and-white flycatchers perched on a rose bush seem to complement each other, as they respectively display the bird’s ventral and dorsal plumage.In terms of brushwork, the boulders in the lower left corner have been outlined in monochrome ink and filled in with washes. Here, the ink captures the form of the rocks with a minimum of modeling strokes. In contrast, the birds have been meticulously limned with a minute attention to detail that reveals the subtle modeling of their feathers.The painter seems to have incorporated Western concepts of realism, and was familiar with the European techniques that allow a painter to create a sense of mass, substance, and three-dimensionality. The artist may have been modeling his style on that of the Ch’ien-lung period court painters, who were influenced by the Italian missionary painter, Giuseppe Castiglione (1688-1766).