书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绫

释文:

印记资料:

收传印记：端康皇贵妃御览

题跋资料:

主题:

主要主题：花草月季　玫瑰　蔷薇 主要主题：翎毛 粉红鹦嘴；其他主题：花草 鱼儿牡丹

技法:

工笔 双钩 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页158 收藏着录： 故宫书画图录，第二十七册，页354-357 内容简介（中文）： 屈兆麟，生平待考。此套册页精确临仿郎世宁〈仙萼长春〉，尺幅相近，唯有所用绢地不同，仿制与原本莫辨，令人叹为观止，是学习郎世宁的优秀作品。此次展览选出两开相互比较，屈兆麟对于郎世宁画作亦步亦趋精细描绘，但其间笔触仍有差异。例如花蕊部份表现稍稍平面化。对于禽鸟的羽毛光泽虽也有掌握，但透过光泽变化所显示出的体积感则略为失色。 内容简介（英文）： Little is known about Ch’ü Chao-lin, including his birth and death dates. This album of leaves is almost an exact copy of “Immortal Blossoms in an Everlasting Spring” by Giuseppe Castiglione (1688-1766; whose Chinese name was Lang Shih-ning), even down to the size of the paintings. The only discernible difference lies in the quality of the silk. The exactness of the copy is indeed amazing, making this an excellent study piece of Castiglione’s painting. Two of the leaves have been selected for this exhibition for comparison with those by Castiglione. Ch’ü Chao-lin demonstrates incredible closeness in detail and refinement, but there are slight differences in the brushwork compared to that of Castiglione. Ch’ü’s representation of the pistils and stamens of the blossoms, for example, is slightly flatter. Likewise, even though Ch’ü Chao-lin exhibited considerable control in rendering the luster of feathers on the birds, changes to the lighting reveal slightly less volume to the forms.