书体:

色彩:

设色,青绿

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅绢

释文:

印记资料:

题跋资料:

题跋类别：题跋；作者： 对幅 ；书体：楷书；全文：海洞潮音。具足妙相。称观世音。一菩提路。慧日照临。甘露灋雨。众生是钦。圆通福聚。如海之深。

主题:

主要主题：经史‧故事 海洞潮音主要主题：佛道人物观音 ；其他主题：山水江河、湖海江河；其他主题：山水云 ；其他主题：佛道人物善才、龙女善才；其他主题：树木松 ；其他主题：花草藤萝 ；其他主题：翎毛鹦鹉鹦哥；其他主题：器用 净瓶。柳条。

技法:

工笔 皴法 人物衣纹描法(匀称线条) 苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页168 参考书目： 1.葛婉章，〈清人画海洞潮音〉，收入葛婉章编，《妙法莲华经图录》（台北：国立故宫博物院，1995年初版），页121-122。2.李玉珉，〈清人画海洞潮音〉，收入李玉珉主编，《观音特展》（台北：国立故宫博物院，2000年初版），页216。 内容简介（中文）： 本幅画潮波滔滔，崖石险峻，观音大士踏云而行，身披璎珞，顶置化佛，左手持净瓶，右手以柳枝洒落甘露法雨。其前，善财童子礼拜求法，合什躬腰。此图为「无量寿佛会庆图」册第八开。 内容简介（中文）： 这是「无量寿佛会庆图」册的第八幅，画观音菩萨在海潮音洞显圣的景象。海潮音洞位于浙江普陀山，是观音菩萨常现灵蹟的地方。画中的海浪澎湃，南海观音身穿白衣，乘着从潮音洞湧现的祥云而来，转身回首，拿着杨枝下洒能救众生疾苦的甘露水。祂身前合掌礼拜的是时常在普陀山出没的善财童子，身后则有一只白色小鸟飞舞，它就是《莺哥孝义传》所说，跟随南海观音菩萨到普陀山学佛的莺哥。 内容简介（中文）： ﹝普门品﹞中，无尽意菩萨请示释迦牟尼：「佛子何因缘，名为观世音？」释迦牟尼以偈回答，颂偈中提及观音「弘誓深如海，慧日破诸闇，澍甘露法雨，梵音海潮音」，此为海洞潮音观音的缘起依据。明清佛教宗派已趋于融会之路，观音绘画也不止依于法华一经。画中观音手执柳枝与净瓶，此一杨柳观音形象，亦称之为药王观音。密教经典有谓「为身上种种病难，故手持杨柳枝」，而水瓶是一种身心净化的象征。本幅为无量寿佛会庆图册第八幅。 内容简介（英文）： In the Samanta-mukha Chapter, the Bodhisattva Mañjughoşa asked the Buddha Shākyamuni about the Bodhisattva Kuan-yin. Shākyamuni responded with a gata, or verse, in which he described Kuan-yin’s vow to help all sentient beings: “the light of Kuan-yin’s wisdom clears darkness like the sun; the rain of the Dharma nourishes all like ambrosia; and the sound of Kuan-yin’s teaching is as vast as the sound of the waves.” Such is the origin of Kuan-yin Among Waves and Caverns. Buddhist sects during the Ming and Ch’ing dynasties converged in many aspects, and Kuan-yin appeared in more than just the Lotus Sūtra. In this painting, Kuan-yin holds a willow branch in her right hand and a vase in her left. This depiction of Kuan-yin holding a willow branch is also called Dantakāstaha or the Healing Kuan-yin. In Esoteric Buddhism, Dantakāstaha relieves illnesses and thus holds a willow branch. The vase is a symbol of purity and cleanliness, especially of the spirit. 内容简介（英文）： This, the 8th leaf from the album “In Celebration of the Amitābha Buddha,” shows Kuan-yin at Tidal Sound (Hai-ch’ao-yin) Cave. The cave is located at Mt. Potala (P’u-t’o), Chekiang, and is said to be where Kuan-yin is often sighted. Among the waves, the South Sea Kuan-yin wears a white robe as she stands on auspicious clouds emanating from Tidal Sound Cave. Looking back, she holds a willow branch to spread the water from the vase and alleviate the suffering of people. The figure with hands clasped is Sudhana (Shan-ts’ai), who is often said to appear at the Sudhana Cave at Mt. P’u-t’o. The white parrot here is said to have accompanied the South Sea Kuan-yin to Mt. Potala and studied Buddhism (as narrated in “The parrot of Loyalty”). 内容简介（英文）： This painting depicts the Kuan-yin Bodhisattva treading lightly among the clouds while waves crash thunderously by a precipitous rocky cliff. Kuan-yin is adorned with jewels; a small Buddha can he seen above her head. Her left hand grasps a water vase while the right waves a willow branch that dispenses sweet dew and the rain of the Dharma. In front, Shan-ts’ai t’ung-tzu bends at the waist with hands together in obeisance seeking the Bodhisattva’s teachings. This painting is the eighth leaf of an album of auspicious Buddhist subjects entitiled Wu-liang shou-fo hui-ch’ing t’u.