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色彩:
水墨装裱形式:
册(折装‧方幅式)创作时间:
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本幅纸对幅纸释文:
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鑑藏宝玺:乾隆御览之宝(重一)题跋资料:
题跋类别:作者款识;作者:蒋溥;题跋位置:本幅;款识:杨香搤虎;书体:楷书;全文:主题:
主要主题:经史‧故事 二十四孝;杨香搤虎主要主题:人物孝子杨香;其他主题:山水 ;其他主题:山水田畴 ;其他主题:人物百姓 ;其他主题:树木 ;其他主题:树木松 ;其他主题:走兽虎 ;其他主题:器用饮食器篮;盘;壸;茶杯技法:
白描 工笔 皴法披麻皴人物衣纹描法(匀称线条)参考资料:
收藏着录: 石渠宝笈三编(干清宫),第二册,页623-627 收藏着录: 故宫书画录(卷八),第四册,页147 收藏着录: 故宫书画图录,第二十五册,页260-265 内容简介(中文): 蒋溥(西元一七○八-一七六一年),江苏常熟人,蒋廷锡之子。雍正八年成进士。善绘花卉,能传家学,随意布置,多得生趣。作品每多获乾隆御题。画题出自二十四孝「杨香打虎」。汉杨香年十四岁,天性纯孝,一日随父往田割粟,路中遇虎,父惊吓,且为老虎攫去,杨香在旁,奋不顾身,抱持虎颈,手执虎毛,脚夹虎腰,乱拳击虎首,虎惧,急放其父而逃,父子幸得无恙。 内容简介(英文): Chiang P’u, a native of Ch’ang-shu, Kiangsu, was the son of the well-known painter Chiang T’ing-hsi. He received his chin-shih degree in 1730. In painting, Chiang P’u followed the style of his father, specializing in bird-and-flower subjects, and his woeks were often inscribed by Emperor Ch’ien-lung. This painting illustrates the story of Yang Hsiang of the Han dynasty (206B.C. – 220A.D.), on of the Twenty-four Paragons of Filial Piety. One day while harvesting rice in the fields with his father they were attacked by a tiger. The beast grasped the frightened old man in his clows, Yang Hsiang, Knowing no fear, set upon the tiger, grabbed his head in a headlock, pulled on his tail and wildly flailed at the tiger with feet and fists. The frightened tiger released Yang Hsiang’s father and beat a hasty retreat. Father and son returned home without injury.