书体:
色彩:
浅设色装裱形式:
轴创作时间:
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本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:邢国贤;题跋位置:本幅;款识:明弟子邢国贤敬写;书体:行书;全文: 印记:邢国贤印、匏冠道人主题:
主要主题:经史‧故事 达摩苇渡主要主题:佛道人物罗汉(应真、尊者)达摩主要主题:佛道人物僧(和尚、尼姑)达摩(同一人);其他主题:花草芦苇 ;其他主题:山水江河、湖海 ;其他主题:器用宗教器用钵技法:
写意 人物衣纹描法(粗细线条)参考资料:
收藏着录: 秘殿珠林续编(干清宫),页182 收藏着录: 故宫书画录(卷八),第四册,页89 收藏着录: 故宫书画图录,第九册,页269-270 内容简介(中文): 邢国贤(一五三九-一六三七),江苏南汇人。字东帆。善画人物,得浙派吴伟笔意,然使笔较为收敛。 本幅画菩提达摩(?-五三六)一苇渡江的故事。据传达摩本为南印度香至王第三子,南北朝时泛海至广州,梁武帝迎入建业,达摩因其法缘薄,遂脚踏芦苇渡长江至北魏。止于嵩山少林寺面壁十年,于梁大通二年圆寂。葬于熊耳山。唐代宗諡号圆觉大师,为中国禅宗始祖。 内容简介(英文): Bodhidharma Crossing the River on a ReedHsing Kuo-hsien (1539-1637)Ming Dynasty Hsing Kuo-hsien, a native of Kiangsu province, excelled at painting figures. He followed after the Che school artist Wu Wei, but with more control. Bodhidharma (? - 536) was the son of a king in southern India. He is said to have traveled by boat to Canton in the Northern and Southern Dynasties. Invited by the Liang emperor Wu-ti to the capital of Nanking, he was dismayed by the lack of understanding about Buddhism and departed by sailing on a reed to Lo-yang, the Northern Wei capital. This work illustrates that legend. He spent 10 years in contemplation at the Shao-lin monastery and achieved nirvana in 536. In the T’ang dynasty, he was revered and became known as the patriarch of the Ch’en (Zen) sect of Buddhism.