书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：乾隆乙丑（西元一七四五年）畅月望后一日御笔；书体：行书；全文：宁古塔将军巴灵阿奏进东海使鹿部。所产驯鹿。胜负载似牛。堪乗骑似马。依媚于人。乃又过之其饮食性则仍麌麌之羣也。造物神异无所不有。命绘以图而繋之诗。我闻方蓬海中央。仙人来往骑白鹿。然疑未审今见之。驯良逈异麕麛族。际天巨浪浩茫茫。浮黍㡬粒排岛麓。其民太古复太古。穴为居室鱼衣服。比来入化职贡皮。副以驯麋厥角曲。招之即来麾之去。锦鞍可据箱可服。怪底秦宫呼作马。不然函谷曾乗犊。顶间疑挂七星符。雪毛皑皑两睛绿。讵如豢鹤剪玉翎。还嗤逸尘饮霜镞。丹青昔漏右相图。牝牡今并飞龙牧。乾隆乙丑（西元一七四五年）畅月望后一日御笔。印记：干、隆

主题:

主要主题：走兽鹿 

技法:

工笔 

参考资料:

收藏着录： 石渠宝笈三编（宁寿宫），第七册，页3472 收藏着录： 故宫书画录（卷八），第四册，页137 收藏着录： 故宫书画图录，第十四册，页315-316 参考书目： 1.王耀庭、陈韵如，〈东海驯鹿图〉，收入王耀庭主编，《新视界 : 郎世宁与清宫西洋风》（台北：国立故宫博物院，2007年初版），页98-99。2.韩北新，〈郎世宁绘画系年(二)〉，《故宫文物月刊》，第68期（1988年11月），页129。3.侯怡利，〈关于郎世宁画作二三事〉，《故宫文物月刊》，第297期（2007年12月），页62-72。 内容简介（中文）： 依据乾隆乙丑（1745）的御题，此画为宁古塔将军进献的东海所产驯鹿。体型如牛，性情温驯，与麋鹿非常接近。从画的尺幅看来，有描绘动物原寸大小的意图，与其他郎世宁所画的骏马、骏犬等以原寸表现的作法一样。画中驯鹿的眼睛有细腻的高光处理，另外对于毛色也有微妙地掌握，特别是驯鹿脸部神情的表达，似乎也让观者能感受它的驯良可爱性格。 内容简介（中文）： 中国古来素将「白毛」动物视为祥瑞，屡作进贡方物。乾隆年间，宁古塔将军献呈东海驯鹿于朝廷，帝命以之入图，并于幅上题写诗文。此幅虽无作者款印，实系朗世宁（一六八八－一七六六年）所绘。朗氏乃义大利天主教会修士，早年曾习西画与建筑。二十七岁来华，以绘画供奉内廷，善画人物花鸟，尤擅犬马。此画成于乾隆十年（一七四五），朗氏五十七岁之作。 内容简介（英文）： Since antiquity, the Chinese have considered pure white animals as auspicious omens worthy of tribute for presentation to the court. In the Ch’ieh-lung era (1736-1795), the general Ning-ku-t’a offered a white reindeer from Tung-hai as tribute to the court. The emperor ordered a portrait be made, and he had his poetry of praise inscribed on it.Although this work bears no seal or signature of the artist, it belongs to the style of Lang Shih-ning (Giuseppe Castiglione, 1688-1766), a native of Milan, Italy and a novitiate of the Jesuit order. At 27, he arrived in China and soon painted for the court, excelling at figures, birds-and-flowers, and especially dogs and horses. This work was completed in 1745,when Lang would have been 57. 内容简介（英文）： According to an imperial inscription of 1745, this is a painting of a reindeer from the northeastern regions that had been sent as tribute by General Ningguta. With a body as large as an ox, it is docile by nature and closely related to the moose. Judging from the size of this painting, there was an attempt to make a life-size portrayal of the animal, which is very similar to other life-size representations of steeds and hounds by Giuseppe Castiglione (1688-1766). The eyes of the reindeer here are done with detail in terms of the reflection of light. Likewise, the reindeer hair is also rendered with great precision. In particular, the expression of the reindeer seems to perfectly convey its mild and tame nature.