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册(折装‧方幅式)创作时间:
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本幅绢释文:
印记资料:
作者印记:朱克柔印(缂印)题跋资料:
主题:
主要主题:翎毛鹡鸰 ;次要主题:草虫蝶蛾 ;其他主题:山水溪涧、湍泉 ;其他主题:水中动植物荇藻 ;其他主题:山水奇石 ;其他主题:水中动植物虾技法:
织参考资料:
收藏着录: 故宫博物院缂丝,图版4 收藏着录: 缂织风华:宋代缂丝花鸟展图录,页21-24 参考书目: 1.童文娥,〈缂丝鹡鸰〉,收入童文娥主编,《缂丝风华 — 宋代缂丝花鸟展图录》(台北:国立故宫博物院,2007年初版一刷),页21。 内容简介(中文): 浅褐地设色织,鹡鸰一只,站在河流中心的石块上,注视着夹在石缝中的虾子,蝴蝶飞舞,生动自然。利用「长短戗」织梭的伸展变化,产生晕色效果,皆能将鹡鸰多层次的羽色,或是虾子腹部透明的亮度,表现得淋漓尽致。另外,大量运用二种不同色线配织,表现河水光影颜色的变化。幅左缂织工印一:朱克柔印。朱克柔名强,字刚,华亭县(今上海松江)人。活动于南宋高宗(1127-1162在位)时,以女红名世。此幅织法紧密匀整,技术精绝,为朱克柔精品。 内容简介(英文): Colored threads woven onto a light ochre background in this tapestry depict a wagtail standing on a rock in a stream. It is looking at a shrimp in the crevice of the rock as butterflies flit in this natural and vivid scene. Using “long and short propping” weaving shuttles to create variations, the effect is that of shaded colors conveying the multiple layers of feathers as well as the transparent brightness of the shrimp’s body. The result is a moist and luminous quality. Furthermore, there is a copious use of dual-colored thread that expresses variations in light and color on the water. Woven to the left in the work is a seal that reads, “Seal of Chu K’o-jou.” Chu K’o-jou, a native of Hua-t’ing (modern Sungkiang, Shanghai), had the personal name Ch’iang and the style name Kang. She was famous for her needlework and active in the era of the Southern Sung emperor Kao-tsung (r. 1127-1162). The weaving here is even and precise, and done with exceptional skill, making this a masterpiece in Chu’s name. This is the second leaf in the album “Collected Brocade of Carved Paintings.”