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清圣祖康熙四十四年(1705)文字类型:
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本幅绢隔水一绫隔水二绫拖尾纸释文:
范石湖诗。四时田园杂兴计二十五首。(第一则)柳花深巷午鸡声。桑叶尖新绿未成。坐睡觉来无一事。满窗晴日看蚕生。(第二则)土膏欲动雨频催。万草千花一饷开。舍后荒畦犹绿秀。邻家鞭笋过墙来。(第三则)高田二麦接山青。傍水低田绿未畊。桃杏满邨春似锦。踏歌椎鼓过清明。(第四则)老盆初熟杜茅柴。携向田头祭社来。巫媪莫嫌滋味薄。旗亭官酒更多灰。(第五则)社下烧钱鼓似雷。日斜扶得醉翁归。青枝满地花狼籍。知是儿孙鬪草来。(第六则)骑吹东来里巷喧。行春车马闹如烟。系牛莫碍门前路。移系门西碌碡边。(第七则)寒食花枝插满头。茜裙青袂几扁舟。一年一度游山寺。不上灵巖即虎丘。(第八则)吉日初开种稻包。南山雷动雨连宵。今年不欠秧田水。新涨看看拍小桥。(第九则)桑下春蔬绿满畦。菘心青嫰芬薹肥。溪头洗择店头卖。日暮褁盐沽酒归。(第十则)紫青莼菜卷荷香。玉雪芹芽拔薤长。自撷溪毛充晚供。短蓬风雨宿横塘。(第十一则)湖莲旧荡藕新翻。小小荷钱没涨痕。斟酌梅天风浪紧。更从水外种芦根。(第十二则)三旬蚕忌闭中门。隣曲都无步往踪。犹是晓晴风露下。采桑时节蹔相逢。(第十三则)榖雨如丝复似尘。煮缾浮蜡正尝新。牡丹破萼樱桃熟。未许飞花减却春。(第十四则)雨后山家起较迟。天窗晓色半熹微。老翁欹枕听鷪啭。童子开门放鹫飞。(第十五则)海雨江风浪作堆。时新鱼菜逐春回。荻芽抽笋河鲀上。拣子花开石首来。(第十六则)二麦俱秋斗百钱。田家唤作小丰年。饼炉饭甑无肌色。接到西风熟稻天。(第十七则)昼出耘田夜绩麻。邨庄儿女各当家。童孙未解供耕织。也傍桑阴学卖瓜。(第十八则)槐叶初匀日气凉。葱葱鼠耳翠成双。三公只得三株看。闲客清阴满北窓。(第十九则)千顷芙蕖放棹嬉。花深迷路晚忘归。家人暗识船行处。时有惊忙小鸭飞。(第二十则)杞菊垂珠滴露红。两蛩相应语莎丛。虫丝罥尽黄葵叶。寂历高花侧晚风。(第二十一则)中秋全景属潜夫。棹入空明看太湖。身外水天银一色。城中有此月明无。(第二十二则)细擣橙虀买鲙鱼。西风吹上四腮鲈。雪松酥腻千丝缕。除却松江到处无。(第二十三则)新霜彻晓报秋深。染尽青林作缬林。唯有橘园风景异。碧丛丛里万黄金。(第二十四则)放船闲看雪山晴。风定奇寒晚更凝。坐听一篙珠玉碎。不知湖面已成冰。(第二十五则)探梅公子款柴门。枝北枝南总未春。忽见小桃红似锦。却疑侬是武陵人。康熙乙酉(西元一七0五年)闰四月望后三日。扈跸四銮舟行临清道中。倚窓无事泚笔书此。查昇并识。印记资料:
作者印记:赐名澹远堂题跋资料:
题跋类别:题跋;作者:孔继涑拖尾乾隆辛丑(西元一七八一年)嘉平月。识于玉虹楼。孔继涑。;书体:行楷书;全文:馀自幼慕声山先生之名。然所见仅条幅数行耳。此卷乃至八百馀字之多。首尾精严而神韵复潇洒。非深于八法者不能办。先生当扈从之暇。书范石湖田园杂诗。其意趣可知矣。乾隆辛丑(西元一七八一年)嘉平月。识于玉虹楼。孔继涑。印记:继涑私印、信天主题:
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收藏着录: 李石曾先生遗赠书画目录,页26-27、109-111 内容简介(中文): 查昇(一六五○-一七○七)字仲韦,又字声山,浙江海宁人。康熙二十七年进士,官至詹事府少詹事兼翰林院侍讲学士。查氏为官恭谨,深得康熙皇帝信任,书法循王羲之传统,入于米芾、董其昌之间,尤得后者神韵,深受康熙皇帝嘉赏。这卷行书书录宋范成大〈四时田园杂兴〉二十五首,由其秀美流畅之书风,可见董其昌书风的影响,为康熙时期帖学派代表之一。本幅为李石曾先生捐赠。(20100102) 内容简介(英文): Zha Sheng (style names Zhongwei, Shengshan) was a native of Haining, Zhejiang. A Presented Scholar (jinshi) of 1688, he became Household Administrator of the Heir Apparent and Hanlin Academician-in-Waiting. Respectful and cautious as an official, Zha was highly trusted by the Kangxi Emperor. In calligraphy, he followed the Wang Xizhi tradition, adding Mi Fu and Dong Qichang’s style. In the latter he was especially gifted and rewarded by Kangxi. This scroll has 25 poems of Fan Shihu (Chengda, 1126-1193) on “Rustic Occasions of Interest in Four Seasons.” The elegantly flowing style reveals the influence of Dong Qichang’s manner, making this representative of Modelbook School calligraphy in the Kangxi era. This work was donated by Mr. Li Shizeng.(20100102)