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题跋类别:题跋;作者:张大千引首庋藏大风堂逾二十年。顷检出寄与吾静农老弟宝翫之。爰。戊申(西元一九六八年)六月十七日五亭湖上。;书体:行书;全文:倪文正公古盘吟真迹。庋藏大风堂逾二十年。顷检出寄与吾静农老弟宝翫之。爰。戊申(西元一九六八年)六月十七日五亭湖上。印记:髯公长乐、大千居士主题:
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收藏着录: 台静农先生遗赠书画展览,页70-71、125-126 参考书目: 1.何传馨,〈倪元璐古盘吟〉,收入李玉珉主编,《古色:十六至十八世纪艺术的仿古风》(台北:国立故宫博物院,2003年初版),页261。 内容简介(中文): 倪元璐(西元一五九三-一六四四年),浙江上虞人。字汝玉,号鸿宝。官至户、礼两部尚书。明末李自成入京,思宗殉国,倪氏也自缢而亡,諡文正。他能诗善书,又工松石和水墨花卉。 本卷为台静农先生捐赠。前段倪氏以行书书写〈盘龙吟〉一文,字形右高左低,体势欹侧奇险;拖尾张大千补画奇石一块,用线条、墨染和皴法,将石头的凹凸和纹理变化一表无遗。 内容简介(中文): 倪元璐(西元一五九三-一六四四年),浙江上虞人。字汝玉,号鸿宝。官至户、礼两部尚书。明末李自成入京,思宗殉国,倪氏也自缢而亡,諡文正。他的诗文超逸,擅长行草、小楷,又兼工松石和水墨花卉。本卷为台静农捐赠,原为张大千旧藏,引首有张大千题。倪元璐以行书书写〈盘龙吟〉一文,字形右高左低,左伸右缩,体势欹侧奇险,而结构谨严,是倪书中的精彩之作。(20100406) 内容简介(英文): Ni Yuanlu (style name Ruyu) was a native of Shangyu, Zhejiang, who served as Minister of Personnel and of Rites. After Emperor Sizong killed himself with the rebel Li Zicheng’s entry to the capital, ending the Ming, Ni also committed suicide. Later named Wenzheng, his poetry is quite untrammeled and he specialized in semi-cursive and small regular script, too, being also a gifted painter of pines and rocks as well as flowers in ink. This work, donated by Mr. Tai Jinnong, was originally in Chang Dai-chien’s collection and bears his title inscription. Ni Yuanlu transcribed this work in running script, the character forms taller on the right and expanding to the left for a slanted force. The structure is also precise, making it one of Ni’s masterpieces.(20100406) 内容简介(英文): Ni Yüan-lu, a native of Chekiang, was a court official. In the late Ming, troops entered the capital and brought the dynasty to an end. Ni thereupon committed suicide. Gifted at poetry and calligraphy, he also painted pines-and-rocks and flowers in ink. This handscroll was donated by Mr. T’ai Ching-nung,. The front part to the right represents Ni’s transcription in running script of the text “Chant on the Coiled Dragon”. The characters slant from the lower left to the upper right, and the brushwork is forceful and daring. T’ai Ching-nung asked the famous artist Chang Dai-chien to do a painting of a decorative rock on the latter part of the scroll. Chang’s perfect balance of lines, ink, and texture strokes describes every facet of the rocky surface.