书体:

色彩:

水墨

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

收传印记：焦氏秘玩书画
收传印记：广陵焦眉卿鑑赏之章
收传印记：陈氏书画（重一）
收传印记：臣陈官俊

题跋资料:

题跋类别：作者款识；作者：杭世骏；题跋位置：本幅；款识：无；；书体：草书；全文：木叶彫将尽。梅英色未匀。岭头初见面。寒谷已生春。讬根深谷里。谷雪已多年。花萼閒中老。清芬物外仙。皎皎一林霜。幽姿浸素月。夜深发妙香。寒气侵人骨。山谷无双品。幽贞性自孤。不逢林处士。只与埜云俱。古干留清影。萧萧三两枝。一般疏散性。祇只许岭云知。美人多远思。瘦损小腰支。明月垂清照。东风撼别离。骨立冰霜里。枯枝几树斜。一朝春信到。还解放新花。几树峰头立。疏枝动晚风。寻香何处是。烟雨正蒙蒙。莫笑枝柯短。深藏不惹尘。此中饶蕴蓄。廧外漫争春。漫跨孤立好。类聚更争辉。几日花齐放。分明雪一围。寒英开残腊。春深见已稀。羞随桃李艳。悔不早知几。玉骨全贞性。冰姿称淡粧。但教留本色。不借月分光。素抱山林性。冰霜气日寒。纵饶桃杏色。莫作一般看。花与叶全似。蕾将蒂并新。恍疑金谷内。重见坠楼人。花早春先到。黄绿腊不殊。汉宫曾点额。是否此花无。羣英方处晦。庚岭春何早。十月报先开。春光已浩浩。深器锁春寒。溪烟迷礀路。樵子晚归来。时有暗香度。寒宵一月朗。玉笛绕孤舟。任尔花开落。晴江水自流。亭亭风雪里。野外一枝芳。自有仙林趣。寒郊得冷香。一帘霜萼净。清馥透窓沙。时倚栏干望。中庭月影斜。花开人静后。香发捲帘初。东阁饶诗兴。清吟自不孤。索笑穷簷下。黄昏月上迟。含情羞不语。小立玉阶时。为爱萧疏觅。列屏臻妙境。幽香近几筵。时觉梦意冷。谁把苍苔色。粧来点点瘢。潇潇风雨夜。疑作老龙看。岭上梅初放。人争雪里看。花光浮野净。香气袭衣寒。冷姿无热性。孤洁许谁哀。最是消魂处。疏林月上时。一朝阳气动。林木尽知春。梅独先春发。东风是故人。更深花气静。瘦影带烟笼。一抹寒光里。幽香度晚风。驴背探来后。孤邨细雨时。此中多冷趣。风味少人知。几树横斜影。清描最是难。况画间雅性。何处着毫端。癸丑（西元一七三三年）冬日集邗上。小玲珑山馆主人出纸素索画墨梅并书旧作。即席写似未识。涉江词兄以为何如。秦亭山民杭世骏。印记：堇浦、杭世骏、道古堂书画印

主题:

主要主题：花草梅（白．红．蜡梅）白梅

技法:

写意 苔点 

参考资料:

内容简介（中文）： 杭世骏（一六九六–一七七二），字大宗，号堇蒲，又号秦亭山民，浙江仁和人（今杭州）。雍正二年中举，出任福建同考官。乾隆元年举博学鸿词科，授为翰林院编修。后因直言得罪乾隆皇帝，罢官归里。杭氏先人留有「道古堂」藏书楼，返乡之后专心读书，讲学、着作不辍，学问从此更上层楼。这幅梅花系朱铭源先生捐赠本院收藏，画法传承元人，流露文人寄情诗书画，不与凡俗的胸襟。 内容简介（英文）： Hang Shi-jun, a native of Jen-ho (modern Hangchow), was a civil service Provincial Graduate of 1724, serving as Examining Official in Fukien. In 1736, he passed the Erudite Literatus exam, serving as Junior Compiler in the Hanlin Academy. Later, due to directness of speech, he fell out of favor with the Qien-long Emperor, was relieved of office, and returned home. His ancestors had left a library named “Hall of the Orthodoxy of Antiquity”. Upon returning home, he focused on studies, never ceasing with lectures and writing. His erudition thus reached new heights. This work of plum blossoms, donated by Mr. Chu Ming-yüan, follows the Yüan style and reveals the literatus ideal of poetry, calligraphy, and painting lodging one’s inner world.