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色彩:

装裱形式:

册(蝴蝶装)

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文字类型:

汉文

质地:

画幅菩提叶书幅纸

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印记资料:

题跋资料:

题跋类别：题跋；作者：章太炎前副叶一民国十九年（西元一九三０年）九月章炳麟记。；书体：行书；全文：东坡书玉枢经为江邨高氏所得，不知缘何与罗汉像合装，相传为金山僧贡于清室者，混佛道于一堂，计金山僧不应迷谬乃尒。其或江邨为书，而为金山僧所得耶。菩提叶汉土所无，此画亦异域所传尔。两美不当合，今但知其美而已。民国十九年（西元一九三０年）九月章炳麟记。印记：太炎

题跋类别：题跋；作者：刘道南前副叶二光绪己丑（西元一八八九年）孟冬。侯官刘道南识。；书体：行书；全文：菩提树产自印度。国中祇粤东有焉。叶小而窄。不足以绘事。故我国视天竺产。若拱璧焉。兹册菩提叶凡三十。所贵者叶大锋长。久而不朽。盖叶以大及掌者为宝。而以能全其锋者为尤珍。攷据家云如斯叶者。百不获一。三十叶间绘五百罗汉。说法谈经。证果伏魔等象。绘工精致端庄。设色糁以宝石。传是印度高僧所贡。清宫如意馆所绘。高江邨先生摹苏端明玉枢经全卷。每叶衬以一版。字秀而腴。年代湮久。金质稍褪。是写经时信奉斋戒。屏胶黄不用。致不能如绘叶之不涅不磨也。然金色虽澹。字迹甚明。或谓是舍身者刺血调金为之。证诸血书经卷。绝相类。经云法会难与。大道难闻。馀闻道媿于管窥。瞻仰全图。倘见当时法会。普照三千大千世界之盛典。其为德不既多乎。光绪己丑（西元一八八九年）孟冬。侯官刘道南识。印记：雪溪

题跋类别：题跋；作者：郭则沄后副叶一庚辰长至蛰云郭则沄；书体：行书；全文：金水神光照石渠。菩提叶叶现真如。输琛闻自殊方贡。却胜锼花贝叶书。龙天幻相擅丹青。绝技端应重禁廷。不入江邨消夏录。遗珠为惜玉枢经。珍蹟西清不翼飞。翩然鹿野见天衣。休论圣画云花寺。似此楞伽诀亦稀。栖心白业久成风。顶礼真当向画中。雪北香南商供羊。拈花法相定非空。幼雪尊兄婣年大人属题。庚辰（西元一九四０年）长至蛰云郭则沄。印记：郭则沄印、迍圃老迂

题跋类别：题跋；作者：江朝宗后副叶二 ；书体：行书；全文：高士琦官至礼部尚书。善书法。曾供奉内廷清宫如意馆。精绘菩提叶三十张。凡五百罗汉。江村既得之。复手临苏端明玉枢经亦三十版以衬之。冶佛道于一鑪。启后世儒释道三教之倡。殊堪珍贵。刘子宝之。附诗一章。菩提叶绘多罗汉。落笔惊人万古传。刘子珍藏荣后泽。我题数语纪前贤。天运己丑（西元一八八九年）年秋九月。江朝宗志于延庆轩。印记：上将军印、忠臣孝子之裔签 封板 ；书体：隶书；全文：菩提叶罗汉全册。

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内容简介（中文）： 释迦牟尼在菩提树下悟道成佛，因此寺院常栽种此树，或以其叶片写经、作画。本册各幅即绘于菩提叶上，再装裱成册。画中以佛教罗汉群像为主题。罗汉由修行者衍生出渡化众生的菩萨特质，在印度并未形成信仰，却盛行于中国。册中以三十开共图绘五百罗汉，多为施展神通或显现异象的描绘。造型温雅，用笔细致而设色鲜艳，对幅则以金抄经文。本册为刘永楙、永仁、永益、永理先生昆仲捐赠。 内容简介（中文）： 释迦牟尼在菩提树下悟道成佛，因此寺院常栽种此树，或以其叶片写经、作画。本册各幅即绘于菩提叶上，再装裱成册。 画中以佛教罗汉群像为主题，造型温雅，或施展神通，或显现异象。罗汉由修行者衍生出渡化众生的菩萨特质，在印度并未形成信仰，却盛行于中国。通幅用笔细致，设色鲜艳，又以青色为底，加上对幅青底上书泥金经文，更添明丽。 刘永楙、永仁、永益、永理先生昆仲捐赠于民国73年。(20120106) 内容简介（英文）： Shakyamuni achieved enlightenment under a bodhi tree, which is why Buddhist temples and monasteries often plant this kind of tree and used its leaves to transcribe scriptures and do paintings. Each leaf here is done on a bodhi leaf and mounted in the form of an album.The paintings depict groups of Buddhist lohans, or “worthy ones.” They appear gentle with some giving play to their powers or revealing their supernatural phenomena. Lohans went from practitioners to figures with bodhi spirit assisting all living beings. A belief system did not form around them in India but became popular in China. This work is done in fine brushwork with opulent colors with a cyan blue background. With the scriptural text on a blue background for the opposing leaf, it adds further brilliance to the work.Messrs. Liu Yung-mao, Liu Yung-jen, Liu Yung-i, and Liu Yung-li donated this work to the National Palace Museum in 1984.(20120106) 内容简介（英文）： The Buddha is said to have achieved enlightenment under a bodhi tree, which is why Buddhist temples often plant this tree or use its leaves for writing texts or painting-as seen here.Each leaf here takes a group of lohans as the subject. Lohans were originally disciples of the Buddha who became bodhisattva-like figures. In China, a belief system developed around them, but not in India. This selection is from an album of 30 leaves, which portray a total of 500 lohans. Many are shown with strange powers or in the process of transformation. The brushwork is fine and the colors bright. Each opposing leaf has text written in gold ink. This album was donated by Messrs. Liu Yung-mgo, Liu Yung-jen, Liu Yung-i, and Liu Ying-li.