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色彩:

装裱形式:

轴

创作时间:

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质地:

本幅纸

释文:

印记资料:

收传印记：龙溪林氏
收传印记：定静堂印

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主题:

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收藏着录： 林宗毅先生捐赠书画目录，页57、124-125 参考书目： 1.刘芳如，〈清吴大澂山水图二小帧〉，收入刘芳如主编，《十九世纪末期中西画风的感通之二－－国立故宫博物院所藏同时期名家作品展》（台北：国立故宫博物院，1993年初版），页80。 内容简介（中文）： 吴大澂（西元一八三五－一九○二年），吴县（今江苏苏州）人。字清卿，号恒轩，晚号愙斋。少从陈硕甫学篆书，中年参以古籀法，益精工。行楷方正流丽，兼长刻印。精鑑别，喜收藏，尤能审释古文奇字。此二幅山水小景，无论是月夜独步于寒林之间，或是群山云岚环抱的松下雅集，画家皆以秀雅缜密的笔法写之。山石坡陀上浓淡相叠的横直苔点，更为雅淡的画面增添几分墨韵变化。 内容简介（英文）： Wu Ta-ch’eng was an important artist and official. He excelled at large seal as well as semi-cursive and standard scripts. Skilled at seal carving, he was also a major connoisseur of art and scholar in the late Ch’ing dynasty. Whether depicting the night moon shining over a cold forest or strolling under a pine surrounded by mountains, clouds and the wind, these two small scenes have both been executed with dense yet elegant brushwork. The contrasting thick and light, horizontal and vertical moss dots piled on the mountains and rocks imbue the painting with an even greater sense of elegance and variation.