书体:
色彩:
设色装裱形式:
轴创作时间:
清德宗光绪二十八年(1902)文字类型:
质地:
本幅纸释文:
印记资料:
收传印记:龙溪林氏题跋资料:
题跋类别:作者款识;作者:吴昌硕;题跋位置:本幅;款识:拟青藤老人而仅似十三峯草堂。壬寅(一九0二年)首夏。吴俊卿。;书体:行书;全文: 印记:吴昌石、安吉吴俊章、芜青亭长主题:
主要主题:花草紫藤技法:
写意参考资料:
收藏着录: 林宗毅先生捐赠书画目录,页62-63、126 内容简介(中文): 吴昌硕(西元一八四四-一九二七年),浙江安吉人。字昌硕,又名仓石,别号缶庐、苦铁,又署破荷、老缶、大聋,七十岁后以字行。善诗书画篆刻,书法以石鼓文最为擅长,绘画初从赵之谦上溯扬州八怪,复师石涛、八大、陈淳、徐渭。运以金石书法入画,影响后世极为深重。 本幅以豪放笔意写紫藤,藤条枝叶曲折横斜,缠绕交织,几成笔飞墨舞之狂草。而笔势坚挺,墨色厚重,一枝一叶无不精神饱满,为其晚年八十一岁之作。 内容简介(英文): WisteriaWu Ch’ang-shih (1844-1927)Ch’ing Dynasty Wu Ch’ang-shih (given name Chün; style name Ts’ang-shih; sobriquets Fou-lu, K’u-t’ieh, P’o-ho, Lau-fou, and Ta-lung) was a native of An-chi, Chekiang province. He excelled in poetry, painting, calligraphy, and seal carving. In calligraphy, Wu specialized in stone drum script .He developed his own style by transforming the brushwork and structure of existing calligraphy. When he first began learning painting, Wu studied the style of Chao Chih-ch’ien (1829-1884), tracing back in time to the Yangchow eccentrics, Shih T’ao (1642- c. 1707), Chu Ta (1626-1705), Ch’en Ch’un (1483-1544), and Hsu Wei (1521-1593). Wu also applied the calligraphic style in his paintings, and profoundly influenced succeeding generations. A fine, relaxed brush style has been used to depict twisting and intertwining wisteria. Several strokes appear as if dancing wildly, yet the brush force is solid and firm, and the color is rich with every branch and leaf exquisite and full. This painting was executed in Wu’s late years when he was eighty-one.