书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：宗净道人
收传印记：志超审定
收传印记：来青阁

题跋资料:

题跋类别：作者款识；作者：倪宝田；题跋位置：本幅；款识：倪宝田；书体：行书；全文： 印记：宝田之印

主题:

主要主题：翎毛鸾凤白凤；其他主题：树木梧桐 ；其他主题：树木竹朱竹

技法:

写意 双钩 

参考资料:

收藏着录： 林宗毅先生捐赠书画目录，页73、128-129 参考书目： 1.刘芳如，〈清倪田花鸟图〉，收入刘芳如主编，《十九世纪末期中西画风的感通之二－－国立故宫博物院所藏同时期名家作品展》（台北：国立故宫博物院，1993年初版），页122。 内容简介（中文）： 倪田（西元一八五五－一九一九年），江苏扬州人，侨居上海。初名宝田，字墨耕，号默道人，璧月盦主。初学画于王小梅（素），人物、仕女及古佛像取境高逸，尤善画马及走兽.。光绪中行商到沪，爱任颐画，遂弃其业而参用任法。水墨巨石，设色花卉，腴润遒劲，擅胜于时，兼工山水，并不多见。寓沪鬻画垂三十年。卒年六十五。梧桐朱竹、白凤栖枝。通幅未加起稿，钩画渲晕，信手挥洒而成，用笔劲健爽朗。本幅为林宗毅先生捐赠。 内容简介（英文）： White PhoenixNi T’ien (1855-1929)Ch’ing Dynasty Ni T’ien (given name Pao-t’ien; style name Mo-keng; sobriquet Pi-yüeh-an-chu) was a native of Yangchow, Kiangsu. He was originally a student of Wang Su (1794-1877), and his paintings of humans, ladies, and ancient Buddhist figures were lofty in sentiment. He was particularly adept at depicting horses and beasts. During the Kuang-hsü reign (1864-1906) he travelled to Shanghai, where he fell in love with Jen Yi’s (1840-1896) paintings. He subsequently became his pupil. Ni’s large monochrome stones and polychrome flowers and plants were radiant and forceful, and he was well-known during his lifetime. Few of his fine landscapes are still extant. Ni lived and sold paintings in Shanghai for thirty years. He died when he was sixty-five. A white phoenix perched on a branch of a firmiana tree beside vermilion bamboo. The painting was done without a prepared draft. The outlines and colors were added effortlessly and freely, still producing rigid and refreshing brushwork. This painting was donated to the Museum by Mr. Lin Tsung-yi.