书体:

隶书

色彩:

装裱形式:

轴

创作时间:

清圣祖康熙二十一年（1682）

文字类型:

汉文

质地:

本幅纸

释文:

绮陌晴（晴字点去）尘香曙色分。碧如山画（应作碧山如画）又逢君。蛟藏秋月一片水。骥琐晴空尺千云（应作千尺云）。戚里旧知何驸马。诗家今得鲍参军。阳龢本是烟霄曲。须向华间次第闻。（八分书）。杨巨源酬于驸马。壬戌（西元一六八二年）竹醉后一日书。谷口郑簠。（行草书）。

印记资料:

作者印记：郑簠之印
作者印记：谷口农
鑑藏宝玺：乾隆御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 盛京故宫书画录，第五册，页20 收藏着录： 故宫书画录（卷八），第四册，页171 内容简介（中文）： 郑簠（西元一六二二―一六九四年），江苏上元人。字汝器，号谷口。弱冠即学隶书，后来自觉去古渐远，于是直接师法汉碑，益得朴拙奇古之妙。细观此书，笔墨圆润，运笔起伏，波撇夸张，笔法结字亦变化多端。通篇笔势行气连贯，纵横俯仰，极具气韵飞扬之势。 内容简介（英文）： Cheng Fu (style name Ju-ch’i; sobriquet Ku-k’ou) was a native of Shang-yüan, Kiangsu. He studied the clerical script in his youth. Later he came to realize that the clerical script of his time departed from the clerical script of the ancients in spirit. Thereafter he learned directly after the calligraphy of Han steles and stone inscriptions and eventutally created a simple yet unique, naive yet archaic style totally of his own. Looking closely at this calligraphy, one can see round and moist brushwork, with exaggerated fluctuations and many variations in the strokes and the structure of the characters. The strength of the brushstrokes and the rhythm between lines can be seen throughout this entire piece. The horizontal and vertical strokes are executed with great vigor. This work is full of vivacious and dynamic spirit.