书体:

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅绢引首纸拖尾　纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：题跋；作者：文嘉　拖尾 ；书体：行书；全文：本右四体千文皆先君真迹。先君少以书法不及人。遂刻意临学。篆师李阳冰。隶法锺元常。草书兼捴诸体。而稍含晋度。小楷则本于黄庭乐毅。而温纯典雅自成一家。虞楮而下弗论也。尝见赵松雪于碧牋上作四体千文。心甚爱之。遂亦倣为一二。然未尝轻作。惟江阴朱子儋丹阳孙志新嘉兴项子京。各购得一本。馀虽或得真草。或篆或隶，未有得其全者。此本皆晚年笔。篆（点去）而用笔精妙。无一渗漏。由其功深力到。故神运所至。不以老少异也。今日偶观。因抆泪识此。嘉靖辛酉七月既望。仲子嘉百拜谨书。印记：休承、文嘉

题跋类别：题跋；作者：陆师道拖尾 ；书体：行书；全文：昔人品书者有云。元常每点多异。羲之万字不同。馀虽不能书。知为妙语。盖不如是则不足以穷翰墨之变而尽意态之极也。智永千文八百本。其为变莫备于是。惜馀不能徧观而尽识之。乃今衡山所作。何啻数十百本。而本各不同。悉臻妙境。此一千文而备四体。种种入神。尤穷变尽态之极者。则李氏之言岂欺我哉。甲子重九前二日陆师道题。印记：陆子传

题跋类别：题跋；作者：陆师道引首 ；书体：隶书；全文：衡翁四体千文。（隶书）。陆师道书。（行书）。印记：陆氏子传、符玺大夫

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页938 收藏着录： 故宫书画录（卷一），第一册，页107 参考书目： 1.江兆申，〈文征明书四体千字文　卷〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页311。 内容简介（中文）： 文征明（西元一四七0－一五五九年），江苏苏州人。初名壁，四十二岁后以字行，改字征仲。因祖籍湖南，故自号衡山居士。学书于李应祯，并广泛临习前代名迹，终能兼擅各体书法。传世者以行草居多，论者谓其行笔得力于苏（轼）、黄（庭坚）、米（芾）及「圣教序」，结体苍润，宛若风舞琼花，泉鸣竹涧。 根据款识，此卷始作于嘉靖乙未（一五三五），费时年馀乃成。全卷以楷、草、隶、篆四体书千字文，笔锋挺秀，法度严谨纯熟。 内容简介（英文）： Wen Cheng-ming was a native of Suchou, Kiangsu. Originally named Pi, he went by his style name Cheng-ming after the age of 40. Since his ancestors came from Hunan, he also went by the sobriquet Heng-shan chu-shih. He learned calligraphy from Li Ying-chen and broadened his knowledge by copying the works of the ancient masters, gaining a firm foothold in all the script types. Most of his surviving works, however, are in running script. Critics have written that Wen combined the best of the styles from Su Shih (1036-1101), Huang T’ing-chien (1045-1105), Mi Fu (1052-1107) and the Sheng-chiao preface to create rich and hoary strokes that bend like in the wind and dance like flowers, flowing like a stream through bamboo. According to the inscription on this handscroll, it was begun in 1542 and was not finished until seven years later. The scroll is a transcription of the “Thousand-character Essay.” Here, the regular, cursive, clerical, and seal script types have been employed. The brushwork is decisive yet elegant, and the style is mature and well-formed.