书体:

行楷书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

圣主廻銮宿肃百灵。紫云团盖翼苍精。属车剑履星辰丽。先驾旂常日月明。十里春风传警跸。万方和气协韶韺。白头欣覩朝元盛。愿续思文颂太平。征明。

印记资料:

作者印记：征仲父印
作者印记：文征明印
作者印记：衡山
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页939 收藏着录： 故宫书画录（卷一），第一册，页119-120 参考书目： 1.江兆申，〈文征明自书七言诗　卷〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页315。 内容简介（中文）： 文征明（1470－1559年），江苏苏州人。初名壁，四十二岁后以字行，改字征仲，自号衡山居士。诗文书画俱工，传世书法以行草居多，论者谓其行笔得力于苏（轼）、黄（庭坚）、米（芾）并上溯王义之，精通各体。本幅自书所作〈恭候大驾还自南郊〉七言律诗一首，字大径四寸，用笔劲健豪放，气势通贯全幅，结字笔法颇得黄庭坚纵逸之气。(20110913) 内容简介（中文）： 文征明（西元一四七0至一五五九年），江苏苏州人。初名壁，四十二岁后以字行，改字征仲，自号衡山居士。诗文书画俱工，传世书法以行草居多，论者谓其行笔得力于苏（轼）、黄（庭坚）、米（芾）及「圣教序」，精通各体。本幅文氏自书所作〈恭候大驾还自南郊〉七言律诗一首，收录《甫田集》卷十，字大径四寸，用笔劲健豪放，气势通贯全幅，结字笔法颇得黄山谷纵逸之气。 内容简介（英文）： Wen Cheng-ming, a native of Soochow in Kiangsu, was gifted at poetry and prose, calligraphy, and painting, and many of his surviving works of calligraphy were in semi-cursive script. Critics have praised his brushwork as surpassing that of Su Shih, Huang T’ing-chien, Mi Fu, and in the “Preface to the Sacred Teaching,” as he was gifted in all scripts.Here, Wen Cheng-ming transcribed his own poem in regulated verse entitled “Reverently Awaiting the Emperor’s Return at the Southern Altar,” found in volume ten of Collectanea of Fu-t’ien. The characters are quite large and the brushwork strong and bold, a powerful aura transcending the entire work with characters and brushwork much in the untrammeled manner of Huang T’ing-chien. 内容简介（英文）： Wen Zhengming (original name Bi; going by the style name Zhengming after the age 42; changing his style name to Zhongzheng; sobriquet Hengshan jushi) was a native of Suzhou in Jiangsu. Gifted at poetry and prose, calligraphy, and painting, many of his surviving works of calligraphy were done in running and cursive script. Critics have praised his brushwork as surpassing that of Su Shi, Huang Tingjian, and Mi Fu, while tracing back to Wang Xizhi, revealing his gift in all scripts. In this work, Wen Zhengming transcribed his own poem in seven-character regulated verse entitled, “Reverently Awaiting the Emperor’s Return from the Southern Altar.” The characters are quite large at four Chinese inches across, and the brushwork is strong and bold, a powerful aura transcending the entire work with characters and brushwork much in the untrammeled manner of Huang Tingjian.(20110913)