书体:

草书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

康里巎顿首再拜彦中管贤友足下。十二月十二日。金子振宣使至。得教字。深荷远怀之至。中间见诲。实是下心。然亦自有公论也。于此足见足下笃于吾众弟至深。不肖惟多驰感耳。不知来春可果至都不。付下棋枰帽等皆已领。此时请家兄使想已达。度贤友亦必喜也。此间公私。皆望家兄早来，闲报吾兄知之。文书一节。克明甚是用心。缘不肖小女病四五十日。竟至逝去。不胜悲塞。奈何奈何。（四五下十六字旁注）。及身常有微恙。不曾与克明相见。近月半日来方出。当与彼论之。后便奉报。未由奉见。愿尽珍重理。今因人便。草草不宣。康里巎顿首拜。十二月十四日书。诸般杂色素笺及建连。付来些小为祷。银朱亦望惠数两。欲为印色。此中者不可故也。（诸般下三十三字。双行夹注）。彦中贤友足下。康里巎谨封。（十一字原籤。康里巎谨封五字文不全）。

印记资料:

作者印记：巎印（半印）
作者印记：（一半印不可辨）
鑑藏宝玺：石渠宝笈
鑑藏宝玺：宝笈三编
鑑藏宝玺：嘉庆御览之宝
收传印记：漫堂珍赏
收传印记：牧仲
收传印记：陈以御
收传印记：陈定书印
收传印记：以御鉴（半印）
收传印记：无恙（左作鹤形）
收传印记：商丘宋荦（半印）
收传印记：露□（半印）
收传印记：卞令之氏

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第六册，页2698 收藏着录： 故宫书画录（卷一），第一册，页148-152 参考书目： 1.陈阶晋，〈康里巙巙(原题康里巙)致彦中尺牍〉，收入石守谦、葛婉章主编，《大汗的世纪:蒙元时代的多元文化与艺术》（台北：国立故宫博物院，2001年初版），页315-316。2.陈阶晋，〈行走于蒙元的艺廊里 — 「大汗的世纪」特展 元康里巎巎(原题康里巎)致彦中尺牍〉，《故宫文物月刊》，第225期（2001年12月），页32-33。 内容简介（中文）： 康里巙（西元一二九五－一三四五年），西域康里氏，字子山。顺帝时为翰林学士承旨，諡文忠。博通群书，善真、行、草书。书史谓其行草师锺繇、王羲之，笔画遒媚，转折圆劲。又谓其书从王献之来，旁及米芾，神韵可爱。此牍行草书，兼用二王及米芾笔法，运笔流利俊爽，墨色清润。收信者为其朝中同事，时任江南行台架阁库管勾叶彦中，书成时间约在一三二九年前不久，是康里氏晚年之作。(20121017) 内容简介（中文）： 康里巙巙（西元一二九五－一三四五年），西域康里氏。字子山，号正斋、恕叟，又号蓬累叟。顺帝时为翰林学士承旨，諡文忠。博通群书，善真、行、草书。书史谓康里巙巙行草师锺太傅、王右军，笔划遒媚，转折圆劲。又谓其书从大令来，旁及米南宫，神韵可爱。此牍兼用二王及米芾笔法，是早年书风，与其晚年参合章草笔意自成一格之面貌，大异其趣。 内容简介（英文）： K'ang-li Nao-nao (style name Tzu-shan; sobriquets Cheng-chai, Shu-sou, and P'eng-lei-sou) was Academician and Recipient of Edicts in the Hanlin Academy during the period of Emperor Shun (r. 1333-1368). He was given the posthumous title Wen-chung. His knowledge was extensive and he excelled in standard, semi-cursive, and cursive scripts. Calligraphy histories record that his semi-cursive and cursive scripts follow the styles of Chung Yu (151-230) and Wang Hsi-chih (307-365), and that in addition to his handsome brushwork, the twists and turns of his writing were round and forceful. Histories also record that his graceful calligraphy originated with Wang Hsien-chih (344-388) and Mi Fu (1051-1107). The style seen in this letter which is a representative of k'ang-li's early work combines the brush style of Wang Hsi-chih and Wang Hsien-chin, and Mi Fu. Its appearance differs considerably from the individualistic style of his later years which adopted some elements of the draft cursive script. 内容简介（英文）： Kangli Nao (style name Zishan; posthumous title Wenzhong) from the Kazak tribe Kangli served as Hanlin Recipient of Edicts under Emperor Shun. Widely learned, he excelled at standard, running, and cursive scripts. Histories record his running cursive as following Zhong You and Wang Xizhi, his brushwork handsome with round forceful turns. Histories also state his script began with Wang Xianzhi, incorporating Mi Fu’s style for attractiveness. The semi-cursive here combines aspects of the Two Wangs and Mi Fu, the movement fluid and pure with pure full ink tones. The recipient was a fellow official, Ye Yanzhong, serving then as Archivist at the Jiangnan Branch Censorate. From not long before 1329, it is a late example of Kangli’s calligraphy. (20121017)