书体:

行书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

袁桷顿首再拜谨呈承旨大参相公钧席。比者伏闻元老晋召。王度聿新。不肖虽困悴海滨。实窃庆（阙一字。）辄从邓善之邮便。僭具牋记。以叙皈（阙三字。）未几善之回杭。廼知相公以直言谠论。拂衣东归。天下善类。莫不沮色。徯首以望登庸之真。侧聆安车趣征。虽以道自乐。出处进退。一不以介意。然时不可再。事不偶然者。相公当有以处此矣。即辰秋气益清。伏惟天人棐扶。钧履倍福。桷不学无取。误辱奖录。善之备导怜爱之笃。勉焉于州县俯仰。良非所长。或者事机之来。得辱甄拔。为门下走吏。使之操笔执简。舖张文明之盛。当不至上负知遇。区区之私。纸尽而情愈长。惟相公矜念焉。不腆之文一编。上溷观览。伏祁为国隆重。益绥寿祉。不备。门学生袁桷谨呈。

印记资料:

收传印记：漫堂珍赏
收传印记：牧仲
收传印记：青笠绿蓑斋藏
收传印记：商邱宋荦鉴赏

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第六册，页2698 收藏着录： 故宫书画录（卷一），第一册，页148-152 内容简介（中文）： 袁桷（西元一二六六－一三二七年），庆元人，字伯长。举茂才异等，起为丽泽书院山长。后以博学陞应奉翰林文字，兼国史院编修官，拜集贤直学士，迁侍讲学士。朝廷制册、勳臣碑铭，多出其手。着有﹝清容居士集﹞、﹝易说﹞、﹝春秋说﹞等，卒封陈留郡公，諡文清。书史谓袁桷书从晋唐中来，而自成一家。本幅尺牍，笔法快利，笔力沉顿，竖笔斜戈多往右下倾侧，字势则向右上扬起，似受苏轼书风影响。 内容简介（中文）： 袁桷（西元一二六六－一三二七年），字伯长，庆元(今浙江鄞县)人。家富藏书，博学好古，为文亦奥雅奇丽。历官翰林修撰、集贤直学士、翰林侍讲。书史谓袁桷书从晋唐中来，而自成一家。本幅尺牍行楷笔腴墨润，结体矮扁沉稳，近于苏轼。受书人可能为举荐袁桷入翰林的程钜夫（一二四九－一三一八年）。文中提及的「邓善之」，即邓文原（西元一二五九－一三二八年）亦为著名书家。(20121017) 内容简介（英文）： Yuan Jue (style name Bochang) was a native of Qingyuan (modern Yinxian, Zhejiang). From a wealthy family with a large library, he was widely learned and fond of antiquity, his writing profound and elegant. He served as Hanlin Provisioner, Jixian Academian, and Hanlin Expositor-in-Waiting. Histories indicate Yuan’s calligraphy derives from Jin and Tang works, forming a style of his own. This letter in semi-standard script features thick brushwork and moist ink, the characters compressed and stable like those of Su Shi. The recipient may have been the high official Cheng Jufu (1249-1318), who had recommended Yuan Jue to the Hanlin. The letter mentions a “Deng Shanzhi,” who is Deng Wenyuan (1259-1328), another famous calligrapher. (20121017) 内容简介（英文）： Yuan Chueh (style name Po-ch'ang) was a native of Ch'ing-yuan. Because he was an extraordinarily talented person, Yuan was recommended to be the Dean of the Li-tse Academy. Later, because of his erudition, he was promoted to be a Provisioner of the Hanlin Academy and Concurrent Junior Compiler of the Historiography Institute. He was then appointed as an Auxiliary in the Academy of Scholarly Worthies and later transferred to the post of Expositor-in-Waiting. He was also enfeoffed as Duke of Ch'en-liu and given the posthumous title Wen-ch'ing. Calligraphy histories record that Yuan's style developed from the styles of the Chin (265-420) and T'ang (618-906) dynasties.The brush method used to execute this letter was swift and sharp, and the strength of the brush was heavy. Many of the perpendicular and downward strokes often slant to the lower right, and the characters seem to slant up to the right. The style of this work seems to demonstrate the influence of Su Shih (1036-1101)