书体:

行书

色彩:

装裱形式:

创作时间:

元顺帝至正廿五年(1365)

文字类型:

汉文

质地:

本幅纸

释文:

晴松落。(阙一字)。疎如雨。南风吹绿春天树。树前开徧菡萏华。池上露凉浑欲语。道人观化无方所。尘世茫茫广歧路。笑看草木岁时香。俱逐游尘何处去。寻华摘叶情如许。公子归来与师遇。萧萧茆屋画为图。是故标师之出处。红衣落尽莲满房。碧藕留丝终幻住。至正廿五年乙巳。十月一日。过幻住出此卷。乃知中峯与松雪一合相耳。虽然。峯亦留此戏后人也。住幻居幻。又造境幻。又使人画像幻。今日复使我作幻语。峯愿力耶。抑遣下则剧耶。当问菴主人。华盖峯浮丘先生童子紫玄洞樵饶介信手识之。

印记资料:

鑑藏宝玺:嘉庆鑑赏
鑑藏宝玺:三希堂精鑑玺
鑑藏宝玺:宜子孙
收传印记:寄傲
收传印记:□赏
收传印记:檇李
收传印记:子京所藏
收传印记:平生真赏
收传印记:退密
收传印记:子孙永保
收传印记:项墨林鑑赏章
收传印记:天籁阁
收传印记:项元汴印
收传印记:项子京家珍藏
收传印记:墨林半印

题跋资料:

主题:

技法:

参考资料:

收藏着录: 石渠宝笈三编(延春阁),第六册,页2698 收藏着录: 故宫书画录(卷一),第一册,页148 参考书目: 1.朱惠良,〈元饶介书中峰幻住像偈〉,收入《云间书派特展图录》(台北:国立故宫博物院,1994年初版),页133。 内容简介(中文): 饶介(?-西元一三六七年),字介之,江西临川人。倜傥豪放,能诗工书。元末张士诚(西元一三二一-一三六七年)据吴,召为淮南行省参知政事,士诚败,俘至京师,被诛。饶介书法远师王献之与怀素,近宗康里子山,史称其草书飘逸,圆劲畅朗。本幅为和尚中峰明本(西元一二六一-一三二三年)像题跋,作于至正廿五年(一三六五),行草中间杂章草笔法,于秀逸中增添古朴之气。(20121017) 内容简介(中文): 饶介(?-西元一三六七年),江西临川人,字介之,号华盖山樵、醉樵、浮丘公童子。倜傥豪放,能诗工书。自翰林应奉佥江浙廉访司事,张士诚据吴,慕其名,召以为淮南行省参知政事,家采莲泾上,日以觞咏为事。士诚败,俘至京师,死之。饶介书远师怀素与王献之,近宗康里巙巙,史称介草书飘逸,又谓其书圆劲畅朗,神追大令。本幅行书中峰明本像偈,作于至正廿五年(西元一三六五年),为晚年精品。书风疏朗秀逸,章草笔法虽不多,然轻灵自然,有画龙点睛之妙。本幅为元人杂书卷第六幅。 内容简介(英文): Jao Chieh (style name Chieh-chih and sobriquets Hua-kai shan-chiao, Tsui-chiao, and Fu-ch'iu-kung t'ung-tzu) was a native of Lin-ch'uan, Kiangsi. Elegant and untrammelled by nature, he was a gifted calligrapher. In the last years of the Yuan dynasty, he served as Hanlin Academician and Surveillance Commissioner of the Chiang-Che Circuit. When Chang Shih-ch'eng took control of the region, he came to admire Jao's reputation and requested him to serve as Branch Secretariat and Magistrate of Huai-nan. Jao Chieh's style was loosely patterned after those of Huai-su (725-785) and Wang Hsien-chih (344-386), but he more closely followed that of K'ang-li Nao-nao (1295-1345). The traditional assessment of his cursive script is that it is free and casual, while his style appears rounded, taut, and flowing in a grand and spirited manner. This work in running script was done in praise of a portrait of the Zen master Chung-feng Ming-pen and was calligraphed in 1365, making it a late work of the artist. The characters flow across the surface in a light, natural and elegant manner. Although not many elements of the cursive style are found in this work, it theless has a spirited touch. This is the sixth work from the handscroll "Assorted Calligraphy by Yuan Masters." 内容简介(英文): Rao Jie (style name Jiezhi) was a native of Linchuan, Jiangxi. Bold and individual in manner, he was gifted at both poetry and calligraphy. When the late Yuan rebel Zhang Shicheng (1321-1367) captured Wu, Rao was summoned as Assistant Administrator of Huainan Branch Secretariat. After Zhang was defeated, Rao was captured, sent to the capital, and executed. Rao’s calligraphy traces to Wang Xianzhi and Huaisu as well as to Kangli Nao. He is praised for his untrammeled cursive script, with rounded power and flowing ease. This is an inscription composed in 1365 for a portrait of the famous monk Zhongfeng Mingben (1261-1323). The semi-cursive script conceals traces of draft cursive, giving archaic simplicity to the untrammeled elegance. (20121017)
文章标签: 印记 简介 中峰 西元 资料 童子 题跋 行书 笔法 草书

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