书体:

行书

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

六艺俱全美丈夫。画堂终日醉相呼。要知不陷轮回穽。莫负黄金丈六躯。一十二时机未瞥。百千万刼苦难逃。虽然身在同居土。谁肯低头礼玉毫。重重最胜黄金阁。叠叠庄严白玉池。多少众生无梦到。镬汤鑪炭自羁縻。势至常谈母忆儿。同于形影不相违。自怜一个弥陀佛。却把黄金铸面皮。仰扣当来父母邦。导师遥指在西方。草鞋不是无钱买。惟恨家乡路易忘。一尊古佛天来大。四色花池海样宽。自是众生无眼力。当机不隔一豪端。右中峯和尚作怀净土诗。吴兴赵雍仲穆书。

印记资料:

作者印记：仲穆
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：御题图书府
收传印记：翰墨林
收传印记：安氏仪周书画之章

题跋资料:

题跋类别：题签； ；题跋位置：本幅；款识：无； 元赵雍中峯净土诗帖。

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页480 收藏着录： 故宫书画录（卷三），第一册，页231 收藏着录： 故宫历代法书全集，第十五册，页4-55、206-212 内容简介（中文）： 赵雍（西元一二八九－？），孟頫之子，字仲穆，亦以书画知名于世。真、行、草书师法其父，尽得家传之密。 此帖点画处理上，回锋垂露、顿挫折转皆过于其父；间架安排上，以险侧卓立、开张宽博与其父书构成不同特色；章法分布上，则一反其父字距紧密、行距疏阔的书风，其字距较疏，行距较紧，满纸律动活泼。堪称跨越其父藩篱，表现己风。选自「赵氏一门法书」册。 内容简介（英文）： Chao Yung, the son of Chao Meng-fu, was also famous for painting and calligraphy. In standard, running, and cursive scripts, he studied the styles of his father and followed the family tradition. In terms of the dots and strokes in this work, the exposed tip of the brush in the turns as well as the starts and stops all appear more than in his father’s style. The arrangement leans with force with an expansive quality that differs from that of his father. Line spacing is generally open and expansive with some distance between the characters. Some-times, however, the spacing is tighter for some variety. He went beyond his father’s style to create a manner of his own. This is from the album Calligraphy from the Chao Clan.