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池田漠漠薰风起。插秧时节江村美。茅屋家家昼揜门。一畦新颖浮清水。儿骑秧马学插秧。壮者手疾力独强。老翁背直难伛偻。杖藜督课沟塍旁。晚来共浴前溪曲。几堆云脚出山谷。但愿知时甘雨霏。管取今年衣食足。御制插秧吟。臣张照敬书。印记资料:
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收藏着录: 石渠宝笈三编(御书房),第七册,页3169 收藏着录: 故宫书画录(卷八),第四册,页14 内容简介(中文): 张照(西元一六九一-一七四五年),华亭(今上海松江)人。字得天,号泾南、梧囱、天瓶居士。擅长书法,深通佛教经典,在法律和音乐方面也有很高的造诣。 张照的书法先从董其昌入手,后来又研习唐代的颜真卿以及宋代米芾,所以他的书风雄浑厚实。这幅字虽然墨色变化丰富,不过笔力稍嫌柔弱,可能是因为这件书蹟是奉皇帝的敕命所作,难免受到牵制,因此显得较为拘谨。 内容简介(中文): 张照(西元一六九一─一七四五年),华亭(今上海松江)人。字得天,号泾南,别号梧囱,又号天瓶居士。性地高明,深通释典,研法律,精音乐,尤工书法。张照书法初从董其昌入手,继乃出入米芾、颜真卿,颇有浑厚之势。其字往往墨丰而笔偏弱,或因身在朝中,多为奉命之作,故不免有所牵制,而较显拘泥了。 内容简介(英文): Chang Chao was a native of the Shanghai area. Exceptionally bright, he was known for his erudition in the Classics and legal traditions as well as his skill at both music and calligraphy.Early in his calligraphic training, Chang studied the style of Tung Ch'i-ch'ang. Later, he looked to the venerated traditions of Mi Fu and Yen Chen-ch'ing to give his style depth and power. Most of his surviving works reveal the use of dark, rich ink, but betray some weakness in brushwork. This perhaps resulted from the fact that most of his works were done at the behest of the emperor, and he was thus subject to certain expectations of style and form to which he consistently adhered.