书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编

题跋资料:

主题:

主要主题：人物仕女 ；次要主题：树木梧桐 ；次要主题：走兽猫（貍奴） ；其他主题：山水奇石 ；其他主题：树木竹 ；其他主题：花草月季　玫瑰　蔷薇月季；其他主题：花草  ；其他主题：翎毛黄鹂 ；其他主题：建筑栏杆 ；其他主题：器用文房用具线装书；其他主题：草虫蝶蛾 

技法:

人物衣纹描法(粗细线条) 界画 皴法 苔点 

参考资料:

收藏着录： 石渠宝笈三编（干清宫），第一册，页477 收藏着录： 故宫书画录（卷五），第三册，页18 收藏着录： 故宫书画图录，第一册，页67-68 参考书目： 1.刘芳如，〈明人仕女图（旧传五代南唐周文矩）〉，收入刘芳如、张华芝主编，《群芳谱 — 女性的形象与才艺》（台北：国立故宫博物院，2003年初版一刷），页49。2.刘芳如，〈五代南唐周文矩仕女图〉，收入国立故宫博物院编辑委员会编，《仕女画之美》（台北：国立故宫博物院，1988年四月初版），页75。 内容简介（中文）： 周文矩（西元十世纪）建康句容（今南京）人。仕后主李煜为翰林待诏，善绘冕服车器，尤工人物仕女。所作人物，线条率皆细劲曲折，圆润流畅，间作颤动之势，飘逸自若，不令堕入吴（道子）曹（弗兴）之旧习，故能自成一家面目。至若绮罗仕女，虽近承唐代周昉，惟其纤细秀丽，益有过之。本幅画桐阴仕女凭栏展卷，旁见一貍奴相伴。图中并无名款，观其衣纹，转折刚健，与文矩风格相去远甚，当属后世收藏者擅自附名，乃有此标题。 内容简介（英文）： Chou Wen-ch', a native of Ch'-jung, Chien-k'ang (modern Nan-king), served the Southern T'ang ruler Li Yu as a Painter-in-Attendance at the Hanlin Academy. He excelled at paintings elaborate costumes and carriages, but was famous for his figure paintings, especially those of women. These he drew with delicate twisting, segmented lines of great fullness and fluidity, sometimes employing a graceful, waving line. He did not just merely slavishly emulate the styles of the famous painters Wu Tao-tzu (fl. ca. 710-760) or Ts'ao Pu-hsing (fl. third century) but created his own unique manner. His paintings of beautiful women reflect the influence of Chou Fang (fl. 780-804) but are even lovelier and finer than his. In the shade of a firmiana tree a young woman, a cat by her side, casually leans against a balustrade, reading a book. The painting does not bear the artist's signature and was probably given its current attribution by a later collector. In terms of brushwork, the forceful turning and twisting lines that model the woman's robes are far from Chou-ch's style.