书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：邢氏子愿书画之记
收传印记：来复
收传印记：（一印不可识）

题跋资料:

题跋类别：题跋；作者：黄宣；题跋位置：本幅；款识：黄宣；书体：楷书；全文：巨然秃阿师。清气喷满手。触笔天籁生。寸楮敌琼玖。黄宣。印记：彦伯

题跋类别：题跋；作者：杨维桢；题跋位置：本幅；款识：铁篴叟杨维桢 巨然轻岚淡墨。自为一体。其下笔苍古。若不经意。而使文人巧夫。再三摸索。终不可到。真与凡远耶。铁篴叟杨维桢。印记：会稽杨维祯、廉夫

题跋类别：题跋；作者：陶宗仪；题跋位置：本幅；款识：天台陶宗仪题 晚岫寒林泼眼明。妍鲜墨晕曙火因澄。点画自多高世意。峰头水面任天真。天台陶宗仪题。印记：陶氏九成

题跋类别：题跋；作者： ；题跋位置：本幅；款识：超然题巨老寒林晚岫 山畏峤披清。棂橑胼欢。水娱山栖。桃源辋川。悠悠胜情。全露笔端。实巨灵手。信小乘禅。超然题巨老寒林晚岫。印记：沧、□冉页

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：无；书体：行书；全文：（乾隆戊申御题。诗文不录）印记：古希天子、犹日孜孜

主题:

主要主题：山水  ；其他主题：山水江河、湖海 ；其他主题：树木  ；其他主题：树木寒林．枯树 

技法:

皴法披麻皴苔点 

参考资料:

收藏着录： 石渠宝笈续编（御书房），第四册，页1916 收藏着录： 故宫书画录（卷五），第三册，页25-26 收藏着录： 故宫书画图录，第一册，页97-98 参考书目： 1.傅申，〈巨然存世画蹟之比较研究〉，《故宫季刊》，第二第二期（1967年十月)，51-79。 内容简介（中文）： 本幅画群山溪壑，林树弥望，山石皴纹多以湿笔染破，明晦隐现，轮廓模糊，特饶山野烟雾之致。本幅无作者款印，依据旧籤，定为巨然之作，然笔墨则与江参（活动于西元十二世纪初）较为近似。巨然（十世纪），南唐锺陵人，为开元寺僧。南唐亡（九七五年），随李后主煜降宋，至汴梁。工画山水，师事董源。善状烟岚景象，臻于妙境，与师齐名，并称董巨。 内容简介（英文）： Ch'-jan, a native of Chung-ling during the Southern T'ang dynasty, was a monk of the K'ai-y'an Temple. When the Southern T'ang dynasty fell in 975 A.D., he submitted to the Sung and went to the capital at Pien-liang (K'ai-feng). Ch'-jan, a landscape painter, is noted for his exquisite paintings of mist-covered mountains. His fame was as great as that of his teacher, Tung Y'an, their names often being coupled together. In this painting, wood-covered hills and streams that wind through ravines stretch into the distance. The texture strokes of rocks and mountains have been applied with a moist brush so that light and shadow merge and outlines are vague, especially where mist swirl around the mountains. This painting bears neither signature nor seals, but is a painting by Ch'-jan according to the label. However, the brushwork and use of ink resembles more closely that of Chiang Shen (early 12th c.).