书体:

色彩:

设色,青绿

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：太上皇帝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：莱公鉴赏

题跋资料:

主题:

主要主题：佛道人物神、仙仙女；其他主题：山水溪涧、湍泉 ；其他主题：车兽力车羊车；其他主题：翎毛鹤 ；其他主题：走兽羊 ；其他主题：花草  ；其他主题：佛道人物佛道侍者 ；其他主题：树木  ；次要主题：器用枴杖 

技法:

工笔 写意 人物衣纹描法(粗细线条) 皴法斧劈皴苔点 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页237 收藏着录： 故宫书画录（卷五），第三册，页131-132 收藏着录： 故宫书画图录，第三册，页43-44 参考书目： 1.王耀庭，〈宋人画调鹤采花仙〉，收入王耀庭、童文娥编，《长生的世界：道教绘画特展图录》（台北：国立故宫博物院，1996年初版），页74-75。2.许文美，〈避秦宫人成女仙 — 院藏二幅「毛女图」画题画意探讨〉，《故宫文物月刊》，第321期（2009年12月），页78-87。 内容简介（中文）： 藤萝峭壁间，一女仙持杖，一鹤相随。鹤是仙禽，常伴随仙人出现。一侍女以树叶为衣裳，双手攀花欲折。坡下方停着一辆羊车，结藤为轮，颇为雅致。画面题材布局，两峭壁之间隔成前后景，远处一弯流水，大有曲径通幽，一派远古仙境，令人向往。本幅仙人及鹤、羊、花卉，画来细致工谨，设色亦古雅可爱。画山石轮廓及斧壁皴法，用笔刚猛显其厚重，且布局虚实紧凑，底是好画，惟时代是尚不及宋，是十四、十五世纪之际。 内容简介（中文）： 本幅应绘毛女，因藤萝峭壁间，女仙形体生毛，结草为衣。坡下方停置羊车，结藤为轮，呈现非人间景象。从文献资料来看，以毛女为画题，宋代已有。明末收藏界亦流传一组毛女图四幅，画中毛女的手、肩各有执负，并有随行鹤鹿等动物，可见毛女形象并不限于一种。画幅细致工谨，设色古雅，山石轮廓及斧劈皴法，用笔刚猛。惟时代尚不及宋，或成于十四、十五世纪之际。 内容简介（英文）： By cliffs with wisteria is an immortal maiden with hair over her body and a leafy gown, probably representing Maonu (“Hirsute Maiden”). Below is a ram cart with knotted vines for wheels, creating an otherworldly scene. Texts indicate that paintings on Maonu appeared by the late Southern Song, and 4 works of her attributed to the Yuan artist Qian Xuan circulated in late Ming collections. In them, she carries something accompanied by such animals as a crane and deer, indicating different images of her. The fine brushwork and archaic coloring here are complemented by landscape outlines and axe-cut texture strokes, making the brushwork strong and bold. The date, however, is later than the Song and perhaps in the early Ming (late 14th to early 15th c.). 内容简介（英文）： From behind a vine-covered cliff, a female immortal emerges holding a staff and accompanied by a crane, the bird of long-1ife is often seen in the company of immortals. Another immorta1, also wearing leaves as an overcoat, extends her arms and picks flowers growing from the cliff. In the foreground is a goat-driven cart with twisted vine for wheels and laden with leaves, flowers, and fungi depicted in an elegant and fine manner. In thearrangement of motifs, the cliffs form a background for the figures and the winding path in the foreground opens up to a winding stream in the far distance, creating an inviting realm for the ancient immortals. The coloring is also elegant and charming. The outlines for the rocks and cliffs, as well as the axe-cut texture strokes, are all done with decisive and strong brushwork. Furthermore, the compact arrangement of solids and voids make for a visually pleasing painting. The style, however, is not like that of the Sung, but rather the 14th or 15th century.