书体:
色彩:
水墨装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸诗塘纸释文:
印记资料:
作者印记:魏国夫人赵管题跋资料:
题跋类别:题跋;作者:董其昌诗塘董其昌题 管魏国写竹。自文湖州一派。劲挺有骨。与宋广平作赋正相反。或曰吴兴借之为名。董其昌题。印记:太史氏、董其昌印主题:
主要主题:树木竹 主要主题:山水奇石技法:
写意参考资料:
收藏着录: 石渠宝笈初编(御书房),下册,页1105 收藏着录: 故宫书画录(卷五),第三册,页163-164 收藏着录: 故宫书画图录,第四册,页93-94 参考书目: 1.陈葆真,〈管道昇和他的竹石图〉,《故宫季刊》,第十一卷第四期(1977年夏),页51-84。 内容简介(中文): 管道昇(西元一二六二-一三一九年),浙江吴兴人。字仲姬,赵孟頫(西元一二五四-一三二二年)妻,封魏国夫人。能为词章,笃信佛法,所写书牍行楷与其夫几不可辨,为书画史上著名女性作家之一。画幅上无管氏款题,只有「魏国夫人赵管」钤印一方,虽不能确定为其所作。但细竹两竿,配以瘦石一握,娉婷婉约,画的不是坚靭挺立的竹,而是娟秀的竹,仍颇有闺阁的笔墨趣味。 内容简介(英文): Kuan Tao-sheng, wife of the famous artist-official Chao Meng-fu (1254-1322), was awarded the posthumous title "Madame of the State of Wei". A devout Buddhist, she was gifted at writing and painting, and her semi-cursive script was barely distinguishable from that of her husband. She is thus known as one of China's greatest female artists. This work does not bear Kuan's signature, but it does have a seal reading "Chao-Kuan, Madame of the State of Wei". Though not positively by her, the few sprigs of bamboo with the slender rock give this work an elegant and delicate lady-like touch. The grace and beauty of the bamboo, rather than its traditional upright and resilient qualities, perhaps reveal an alternative viewpoint of a lady artist.