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鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:李衎;题跋位置:本幅;款识:息斋道人笔;书体:行书;全文: 印记:李衎仲宾、息斋主题:
主要主题:树木竹 ;次要主题:山水奇石技法:
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收藏着录: 石渠宝笈三编(延春阁),第四册,页1586 收藏着录: 故宫书画录(卷五),第三册,页172-173 收藏着录: 故宫书画图录,第四册,页3-4 参考书目: 1.胡赛兰,〈李衎四季平安图〉,收入石守谦、葛婉章主编,《大汗的世纪:蒙元时代的多元文化与艺术》(台北:国立故宫博物院,2001年初版),页293。 内容简介(中文): 李衎(西元一二四五-一三二○年),河北蓟丘人。字仲宾,号息斋道人。拜集贤殿大学士,追封蓟国公。善画竹,着【竹谱】行于世。 【酉阳杂俎】载,北都惟童子寺有竹一窠,才长数尺,相传其寺纲维,每日竹报平安。本幅墨竹四株,题用此事,盖取其吉利也。竹竿如作篆书,圆劲有力。竹叶用墨,深浅相间,渐远渐澹,嫋嫋如在轻烟薄雾中。 内容简介(英文): Li K'an, a native of Hopeh province, was a Grand Academician at the Hall of Scholarly Worthies. A skilled painter of bamboo, he wrote a manual on bamboo painting that became widely popular. Tuan Ch'eng-wu (9th c.), in his Yu-yang tsa-tsu, wrote that only the T'ung-tzu Temple in the northern capital had a clump of bamboo to which the abbot reportedly would convey blessings of peace. The inscription of this ink painting of four bamboo refers to the story, hence invoking its felicitous associations. For the bamboo stems, Li handled the brush as though doing seal script calligraphy with round, strong strokes. The leaves are rendered with pale to dark ink to suggest space and the effect of leaves gently fading into the mist.