书体:
色彩:
水墨装裱形式:
轴创作时间:
明太祖洪武五年(1372)文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:倪瓒;题跋位置:本幅;款识:壬子(西元一三七二年)岁七月五日。云林子写。;书体:行楷书;全文:主题:
主要主题:山水 ;其他主题:山水江河、湖海江河;其他主题:树木 ;其他主题:树木竹 ;其他主题:建筑斋馆技法:
皴法折带皴苔点参考资料:
收藏着录: 石渠宝笈初编(御书房),下册,页1111 收藏着录: 故宫书画录(卷五),第三册,页219 收藏着录: 故宫书画图录,第四册,页299-300 内容简介(中文): 倪瓒(西元一三0一—一三七四年),江苏吴钖人。字元镇,号云林、迂翁。家富饶,筑清閟阁,蓄古书画,尤善山水,为元四大家之一。 水墨画河岸、疏树、竹林与房舍,对岸则山峦起伏。用笔多中锋,山石皴法以披麻为主,略有折带笔意。幅上有壬子(一三七二)年款,时七十二岁。然本幅题款,实摹自本院藏倪氏真本「容膝齐图」。用笔亦无倪氏一代大家之健劲,显系后代摹品。 内容简介(英文): Ni Tsan (style name Yüan-chen, sobriquets Yün-lin and Yü-weng) was from Wu-hsi, Kiangsu. From a wealthy family, their collection of art was stored at the Ch’ing-pi-ko pavilion. Ni Tsan excelled at painting landscapes, being considered one of the Four Yüan Masters. With shades of ink, Ni Tsan has depicted here a river bank on which a sparse grove of trees and bamboo appear clustered around a simple cottage. On the opposite shore, a series of peaks rise. Executed mostly with a centered brush, the texturing of the trees and rocks was largely done with hemp-fiber strokes; some slanted strokes and dots also appear. However, the inscription on this work done in 1372 is actually copied from that of Ni Tsan’s “Jung-hsi Pavilion” in the Museum’s collection, which is considered genuine. The brushwork here also lacks the powerful force of the master, suggesting it is a later copy.