书体:

色彩:

水墨

装裱形式:

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺:乾隆御览之宝
鑑藏宝玺:乾隆鑑赏
鑑藏宝玺:嘉庆御览之宝
鑑藏宝玺:宣统御览之宝
鑑藏宝玺:宣统鑑赏
鑑藏宝玺:无逸斋精鑑玺
鑑藏宝玺:石渠宝笈
鑑藏宝玺:三希堂精鑑玺
鑑藏宝玺:宜子孙
收传印记:张□之印
收传印记:(一印存汉阳二字)
收传印记:苍巖
收传印记:蕉林居士

题跋资料:

题跋类别:作者款识;作者:杨维祯;题跋位置:本幅;款识:潭底老龙呼不起。雷火铿轰烧秃尾。千年宝剑入延平。神物无繇见其似。朝来持赠为何人。陈玄毛颖齐策勋。山中之人卧病起。笔梢黄龙飞为云。铁篴道人为耐堂先生画中淞之璜溪。;书体:草书;全文: 印记:廉夫、边梅

题跋类别:题跋;作者:吕心仁;题跋位置:本幅;款识:诸生吕心仁书于铁先生诗尾;书体:隶书;全文:铁篴僊人铁石肝。篴声惊起老龙蟠。倭麻写得苍髯影。寄与高人耐岁寒。诸生吕心仁书于铁厓先生诗尾。印记:华亭吕心仁希颜私印

题跋类别:题跋;作者:徐大和;题跋位置:本幅;款识:门生徐大和;书体:楷书;全文:双璜溪头三月辉。道人袖剑月中归。石池夜半风雨作。化得苍龙擘峡飞。门生徐大和。题籤清高宗   杨维祯岁寒图。内府珍藏。印记:乾隆宸翰

主题:

主要主题:树木松 

技法:

写意 苔点 

参考资料:

收藏着录: 石渠宝笈初编(御书房),下册,页1117 收藏着录: 故宫书画录(卷五),第三册,页228 收藏着录: 故宫书画图录,第四册,页265-266 内容简介(中文): 杨维祯(西元一二九六—一三七0),字廉夫,号铁崖,后因善吹铁笛,遂自号铁笛道人,又曰抱遗老人,浙江会稽人。元泰定间署天台尹,又曾会修辽金宋三史。入明,徙居松江。能文善诗,诗文俊逸,独擅一时,称为铁笛体,书画兼善。此幅画松一株,蟠榦夭矫,枝叶秀出,极得清劲之气。又自题诗句铿锵,书法遒秀,堪称三绝。 内容简介(英文): Yang Wei-chen (style name; Lien-fu, sobriquets; T'ieh-yai and Pao-i lao-jen), was a native of K’uai-chi, Chekiang. Since he was a skilled player of the t'ieh-ti (iron flute), late in life he also called himself T'ieh-ti lao-jen. He held a government post in T'ien-t'ai, Chekiang, during the T'ai-ting era (1324-1328) and was also involved in the compilation of the official histories of the Sung (960-1279), Liao (907-1125), and Chin (1115-1234) dynasties. When the Ming dynasty was established in 1368, he moved to Sung-chiang, Kiangsu. The bold and original style of his literary talent was special and became known as the "T'ieh-ti style." He was also a good painter and calligrapher.In this work he has painted a serpentine branch of pine, the twigs and needles of which poke outwards. It is a perfect image of unsullied strength. The artist's poem also has a fine ring and he has written it out with forceful elegance. Such a work both exemplifies and unifies the arts of poetry, calligraphy, and painting.
文章标签: 印记 题跋 书体 先生 道人 书画 款识 简介

猜你喜欢

竹西草堂记题卷
真镜庵募缘疏卷草书
竹西草堂记题卷
杨维桢行书宴啸傲东轩诗页
杨维桢行楷书煮字窝铭
杨维桢行书沈生乐府序页
杨维桢行书城南唱和诗帖
元 杨维祯 草书七绝诗轴
元 杨维祯 行书真镜庵募缘疏卷
多福图
起居平安图
映水楼台图
碧梧苍石图
岳阳楼图
无题
云山图卷
高高亭图
竹石图(宋元集绘册)
0.126273s