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元顺帝至正九年(1349)文字类型:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:赵希远;题跋位置:本幅;款识:至正九年(西元一三四九年)黄钟月上吉日。赵希远画。;书体:楷书;全文: 印记:希远主题:
主要主题:山水 ;次要主题:树木松 ;次要主题:建筑台阁 ;其他主题:山水石磴、栈道 ;其他主题:山水溪涧、湍泉溪涧;其他主题:山水瀑布 ;其他主题:人物侍从(侍女、童仆)童仆;其他主题:人物牧童 ;其他主题:树木 ;其他主题:花草灵芝 ;其他主题:走兽鹿 ;其他主题:翎毛鹤 ;其他主题:建筑桥 ;其他主题:建筑回廊技法:
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收藏着录: 石渠宝笈三编(御书房),第七册,页3089 收藏着录: 故宫书画录(卷五),第三册,页240 收藏着录: 故宫书画图录,第五册,页77-78 内容简介(中文): 赵希远何时何地人,尚待研究。据《画史会要》的记载,认为与王蒙同时。又,传说他曾临王蒙香光居士图。以本幅画来看,重山??岭,草木?郁,构图曲折复杂,用笔繁细茂密,景致情趣确有近似王蒙之意。 内容简介(中文): Chao Hsi-yüan is said by the Hua-shih hui-yao to have been a contemporary of Wang Meng (1308-1385), though neither the exact dates of his birth and death nor his place of birth is recorded.It is said that in his painting Hsiang-kuang chü-shih Wang Meng's brushwork was free and his texture strokes extremely fine, while for the moss he used the end of a blunt brush. Chao Hsi-yüan very much liked the painting and copied it. The brushwork of this work of Chao's is tight and fine, the composition sinuous and complex. Mountains are piled layer on layer, dark paths follow the winding gullies, while towers rise forth from the lush green foliage. But it is in felling that the scene most closely approaches Wang Meng, for one may say that in this painting Chao has captured the very quintessence of Wang Meng's style.