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题跋类别:题跋;作者:马治;题跋位置:本幅;款识:岁洪武壬戌冬十月三日马治。;书体:行书;全文:瑟瑟空外音。兀兀林下定。伊人本无作。独坐昕已暝。珠光内大千。重叠秋更莹。万籁何(从字点去)缘生。太虚自成听。悲哉湘川瑟。铿乎卫之磬。风泉杂梧竹。物我此交罄。如何浊世士。强聒有不醒。焉知圆通门。廓寥谢畦迳。文靖持方厓所画竹见示。俾录虞道园先生寄题听秋轩诗。轩盖厓在重居寺时燕私之室也。因记前十五年厓自吴门归。馀亦次第先生诗韵。虽不免识者效嚬之讥。漫附此以见意耳。岁洪武壬戌冬十月三日马治。主题:
主要主题:山水奇石 主要主题:树木竹技法:
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收藏着录: 石渠宝笈三编(御书房),第七册,页3090 收藏着录: 故宫书画录(卷五),第三册,页244-245 收藏着录: 故宫书画图录,第五册,页129-130 内容简介(中文): 方(活动于西元十四世纪中叶),吴中重居寺僧。张士诚据吴,遂避地住宜兴保安寺。妙写枯木竹石,一时士大夫契之不得,其笔墨尤难获,与倪瓒过往甚密。竹石皆用秃笔,笔不求繁而韵自深远。画竹枝榦用重墨而叶色反澹。竹叶墨色,一笔之中自具深浅。坡上荆棘巖松,笔意极为浑朴,此皆可以名言;而图中一片萧瑟雅澹之气,挹之若可出,则非语言文字可以为功。 内容简介(英文): Fang yai was a monk at the Chung-chü monastery in Soochow. When Chang Shih-ch'eng took control of Soochow in his struggle with the future founder of the Ming dynasty, Fang fled to the Pao-an monastery in I-hsing. He was a wonderful painter of ancient trees, bamboos and rocks. His works were frequently sought after by high officials of the time, but in vain. He was an intimate friend of his contemporary, Ni Tsan.Both the bamboo and stones were painted with a worn brush. Though Fang Yai did not seek complexity, still the harmony is naturally profound and deep. In painting the bamboo branches and stems Fang Yai used heavy ink; the leaves were painted with dilute ink. The tone of the ink within a single bamboo leaf varies from dark to light. On the embankment are thorns and pines. The concept is extremely pure, but while all these aspects of the painting can be verbalized, it is impossible to express the lonely elegant spirit in words.