书体:
色彩:
水墨装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：王绂；题跋位置：本幅；款识：孟端；书体：行书；全文： 印记：孟端、中书舍人之印主题:
主要主题：山水 ；次要主题：人物高士（士人、隐士）士人一人；次要主题：树木 ；次要主题：建筑茅草屋 ；次要主题：器用文玩（琴棋书画）书；其他主题：建筑篱笆、围墙 ；其他主题：建筑桥 ；其他主题：器用家俱（屏风）凳；其他主题：山水山径 ；其他主题：山水江河、湖海江河技法:
写意 皴法披麻皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录： 石渠宝笈初编﹝养心殿﹞，上册，页651 收藏着录： 故宫书画录﹝卷五﹞，第三册，页283 收藏着录： 故宫书画图录，第六册，页53-54 内容简介（中文）： 王绂（一三六二－一四一六），字孟端，号友石生，九龙山人。江苏无锡人，明初以弟子员征入京为官，因事受累，谪戌到山西大同十二年，后来囘无锡故里，隐居九龙山，永乐元年（一四○三）荐至南京，以善书供事文渊阁，晚年官至中书舍人，两度随成祖北巡，病逝于北京。 王绂画风继承元代文人画传统，重视笔情墨趣，是明代中期吴派画的前导。此图画溪岸板桥，三树挺立，树石间篱院茅舍，一隐士捧书坐于敞轩中。笔法宕逸，墨色浓润，是画家即兴写意的佳作。 内容简介（英文）： Wang Fu was a native of Wu-hsi, Kiangsu. His style name was Meng-tuan, and his sobriquets were Yu-shih sheng and Chiu-lung shan-jen. In the beginning of the Ming period, he was called to the capital as a Goverment Student and served as an official. Implicated in an offense against the suspicious emperor, he was exiled to Tatung in Shansi province for twelve years. Later he returned to his home, and lived in seclusion on Chiu-lung Mountain. In 1403, because of his excellence in calligraphy, he was recommended for a position in the Hall of Literary Profundity at Nanking. Wang Fu's painting style continued that of the Yüan dynasty scholar-artists, emphasizing the qualities of brush and ink. He therefore became the forerunner of the mid-Ming literati (Wu) school. In this painting, a wooden bridge spans a stream. Three trees stand on the bank. In a bamboo-fenced garden among trees and rocks is a thatched house. A gentleman-recluse reposes inside, holding a book. The relaxed brushwork and the moist, dark ink represent the highest achievement of the manner called "sketching idea".纸本24.6x78辽博.jpg!w300?_upt=b9151b8d1718711587)
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