书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

题跋资料:

题跋类别：作者款识；作者：文征明；题跋位置：本幅；款识：六月飞泉泻玉虹。仙人虚阁在山中。四簷秀色千峰雨。一榻松声万壑风。征明。；书体：草书；全文： 印记：征仲父印

主题:

主要主题：山水  主要主题：树木松 ；次要主题：山水瀑布 ；次要主题：建筑桥 ；次要主题：人物高士（士人、隐士）１人；次要主题：山水江河、湖海 ；其他主题：树木寒林．枯树枯树；其他主题：建筑水榭 ；其他主题：山水山径 ；其他主题：树木  

技法:

皴法 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页654 收藏着录： 故宫书画录（卷五），第三册，页372-373 收藏着录： 故宫书画图录，第七册，页117-118 参考书目： 1.江兆申，〈文征明松声一榻〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页316。 内容简介（中文）： 纸质甚疏，画前曾用胶矾，故拒不受墨。纸肤亦有剥落，然笔墨佳处，未尽受损。征明画轴，自倣王蒙山水（一五三五）起，构图已趋重叠而满幅。至洞庭西山（一五四八），古木寒泉（一五四九），千巖竞秀（一五五○），皆累年若此。故此种章法，足可代表征明晚年风格。文征明小行书，中年结体瘦长，晚年则渐趋肥短。本幅构图，近树特为高大，山形重叠特起，与千巖竞秀极接近。款书与独乐园记（一五五八）相近，故置于是年。是年辛亥（一五五一），文征明八十二岁。 内容简介（英文）： 1551 Wen Cheng-ming Relaxing to the Sound of Pines The texture of the paper used for “Relaxing to the Sound of Pines” is very coarse; consequently it was heavily sized with alum and glue before painting. Thus the paper did not absorb the ink. The surface has also suffered damage from peeling and flaking, but fortunately the damage does not extend over the painted areas. Wen Cheng-ming’s hanging scroll compositions, beginning with “ Landscape in the Style of Wang Meng” (1535), tend increasingly toward filling the entire surface with ever-rising ranges of peaks. Such works as “Tung-t’ing West Mountain” (1548), “Old Trees by a Cold Waterfall” (1549), and “A Thousand Peaks Vying for Splendor” (1550) accumulate with the years. Therefore we may take this type of composition as representative of Wen Cheng-ming’s late style. His small semi-cursive calligraphy tended in his middle years to be slender and elongated; as he got older his brushstrokes gradually became shorter and thicker. The composition of “Relaxing to the Sound of Pines”, particularly the very tall foreground trees and the multiple ranges of peaks filling the surface, is very similar to “A Thousand Peaks Vying for Splendor”, and the calligraphy in the inscription is close to that on his “Record of the Garden of Solitary Pleasures” of 1558. Thus it was probably painted around 1551, when Wen Cheng-ming was 82 sui.