书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

明世宗嘉靖二十九年（1550）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：宁寿宫续入石渠宝笈
鑑藏宝玺：乐寿堂鑑藏宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：文征明；题跋位置：本幅；款识：比尝冬夜不寐。戏写千巖竞秀图。仅成一树。自此屡作屡辍。自戊申抵今庚戌（西元一五五０年）始成。盖三易岁朔矣。昔王荆公选唐诗。谓费日力于此。良可惜也。若馀此事。岂特可惜而已。三月十日。征明记。时年八十又一。；书体：楷书；全文： 印记：征明

主题:

主要主题：山水  ；次要主题：山水溪涧、湍泉溪涧；次要主题：人物高士（士人、隐士）士人２人；次要主题：树木柏 ；次要主题：山水瀑布 ；其他主题：山水山径 ；其他主题：人物樵夫 ；其他主题：树木松 ；其他主题：建筑桥 ；其他主题：建筑寺庙 ；其他主题：建筑房舍 ；其他主题：树木  ；其他主题：人物侍从（侍女、童仆）童仆１人

技法:

皴法披麻皴人物衣纹描法(匀称线条) 苔点 

参考资料:

收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2811 收藏着录： 故宫书画录（卷五），第三册，页379 收藏着录： 故宫书画图录，第七册，页101-102 参考书目： 1.江兆申，〈文征明千巖竞秀图　轴〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页315 - 316。 内容简介（中文）： 文征明（西元一四七０－一五五九年），江苏长洲（今江苏苏州）人。初名壁，字征明，后以字行。亦字征仲，号停云生、衡山居士。诗文书画并佳，画师沈周，为明四大家之一。 本幅成于庚戍年（一五五０），为文征明八十一岁之作。画重峦飞瀑，二人树下对坐，一童琴旁侍。设色温雅，笔意秀婉。此帧纸狭而长，构景重叠而繁复。征明晚年好作此类画作，晚期吴派亦多受此影响。 内容简介（中文）： 文征明（西元一四七○－一五五九年），江苏苏州人。名壁，以字行。幼年学诗文书法于吴宽、李应祯，画学沈周。作画兼擅青绿、浅绛、粗笔山水，又善写花鸟竹果。吴郡才艺之士皆传其学，为明季苏州画坛领袖。 庚戊（一五五○年）三月十日，作千巖竞秀图成。跋云：「比尝冬夜不寐，戏写千巖竞秀图，仅成一树。自此屡作屡辍，自戊申抵今庚戌始成，盖三易岁朔矣」。按此图传世尚有别本。是年，文征明八十一岁。 内容简介（中文）： 文征明（1470－1559），江苏长洲（今江苏苏州）人。初名壁，字征明，后以字行。亦字征仲，号停云生、衡山居士。诗文、书画并佳，画师沈周，为明四大家之一。 本幅成于庚戌年（1550），为文征明八十一岁之作。画重峦飞瀑，二人树下对坐，一琴童旁侍。此帧纸狭而长，构景重叠而繁复，设色温雅，笔意秀婉。征明晚年好作此类繁景细笔之作，对吴派晚期画家影响甚钜。(20110913) 内容简介（英文）： Wen Zhengming (original name Bi; style name Zhengming [by which he later went] and also Zhengzhong; sobriquets Tingyun sheng and Hengshan jushi) was a native of Changzhou in Jiangsu (modern Suzhou in Jiangsu). Excelling at poetry and prose, calligraphy, and painting, he studied painting from Shen Zhou and became one of the Four Ming Masters.This painting was completed in 1550 by Wen Zhengming at the Chinese age of 81. Depicted here are serried slopes and cascades as two figures are shown sitting below a tree with an attendant to the side holding a lute. This tall and narrow scroll has a composition layered to the top and complex. The coloring is subtle and the brushwork graceful. In his later years, Wen Zhengming often composed works like this, which had a major influence on late Wu School painters.(20110913) 内容简介（英文）： Wen Cheng-ming, a native of Soochow, was the foremost artist of that cultured city in the Ming. He studied the literary and calligraphic arts with Wu K’uan (1435-1507) and Li Ying-chen (1431-1493) and studied painting with Shen Chou (1427-1509). He was noted for his paintings of landscapes, flowers, birds bamboo, and fruits. Wen’s artistic legacy greatly influenced later artists in the Soochow region. This hanging scroll was completed on the 10th day of the third lunar month of 1550. Wen Cheng-ming's inscription says in part, “One winter's night when I could not sleep, I amused myself by beginning to paint A Thousand Peaks V ying for Splendor, but I hardly finished a single tree. Since that night I have worked on it off and on, and from its beginning in 1548 to its completion now the seasons have made three complete revolutions !” A second version of this composition also survives. In 1550 Wen Cheng-ming was eighty years old. 内容简介（英文）： Wen Cheng-ming was a native of Soochow who excelled at poetry, prose, calligraphy, and painting. For the latter, he had studied under Shen Chou. Wen later became known as one of the Four Great Masters of the Ming. This painting was done by Wen Cheng-ming in 1550 at the age of 80. Depicted here are serried slopes and cascades. Two figures are shown sitting below a tree with a servant boy to the side holding a lute. The coloring is subtle and the brushwork graceful. This tall and narrow scroll has a composition that is layered up to the top and is complex. In his later years, Wen Cheng-ming often composed such works, which had a major influence on late Wu School painting.