书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：太原郭渐逵图书
收传印记：苏门孝啸

题跋资料:

题跋类别：作者款识；作者：陆治；题跋位置：本幅；款识：酒香花气春无量。花容人面颜相向。含情直待皷来催。一声一叶花初放。冰肌玉质嫣千状。直教不许东施让。不随红紫逞鲜秾。偏留一种庄严相。右调临江仙。包山陆治识。；书体：行书；全文： 印记：陆治叔平

主题:

主要主题：花草木兰（辛夷）玉兰；次要主题：树木竹 

技法:

白描 写意 没骨 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页422 收藏着录： 故宫书画图录，第八册，页29-30 参考书目： 1.王耀庭、张华芝，〈明陆治玉兰〉，收入王耀庭、张华芝编，《明陆治作品展览图录》（台北：国立故宫博物院，1992年初版），页78-79。 内容简介（中文）： 此幅以玉兰花为主体，一杆劲竹作陪衬，用色只取赭墨、花青，已觉气质高雅出于天然。陆治运用灵活的笔触，钩画出玉兰花柔嫩纯洁的风采，又以坚挺的线条双钩竹杆、竹叶，刚柔相济调和得恰到好处。从画幅上方题词看来，可知玉兰花的洁白和竹子的坚韧在此赋有深一层的意义，陆治可能借此抒怀，将个人的理想投射在笔墨中。 内容简介（中文）： 陆治（西元一四九六－一五七六年），明吴县（今江苏苏州）人。字叔平，居包山，因号包山子。倜傥嗜义，以孝友称。好为诗及古文辞，善行、楷，尤精通绘事。游祝允明、文征明门，其于丹青之学，务出其胸中奇，以与古人角胜。主写生，点染花石，往往天造。 本幅画玉兰花一株，赭墨画枝干，墨笔钩花，笔极流畅。后附有绿竹一枝，双钩填以花青，疏朗中颇见潇洒意。 内容简介（英文）： Lu Chih was a native of Suchou, Kiangsu. He was an unconventional but moral man, well-known for his loyalty and sense of duty to his friends and parents. He was an excellent poet, essayist, calligrapher and painter, and an acquaintance of the leading cultural figures of Suchou at the time, Chu Yün-ming and Wen Cheng-ming. Lu chih’s paintings have a distinct, individual style; his sketches from life, particularly flowers and rocks, are perfectly natural. A stalk of magnolias is described, a sketchy brush delineating the outlines of the flowers. Green bamboo emerges behind, painted in the double-outline mode. The imagery is relaxed. 内容简介（英文）： The centerpiece of this work is a branch of magnolia blossoms with stems of bamboo growing behind it. Using just ochre and light blue, Lu imparted a sense of not only elegance but also naturalness. He used his deft brushwork to outline the pure and tender blossoms of the magnolia, which contrast with the coarse branch bark and the sharp brushwork of the bamboo leaves and stems. The result is a perfect balance between hard and soft. The content of the poem written by Lu in the upper left corner indicates that he took the purity of magnolia blossoms and resilience of bamboo as a metaphor for moral integrity and perseverance. Using brush and ink, Lu may have thus chosen this subject as a vehicle for his feelings and ideals.