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明神宗万历四十三年(1615)文字类型:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:赵左;题跋位置:本幅;款识:五月江深草阁寒。乙卯(西元一六一五年)夏日。赵左。;书体:楷书;全文: 印记:赵左之印、文度氏主题:
主要主题:山水 ;次要主题:山水江河、湖海 ;次要主题:建筑桥 ;其他主题:树木 ;其他主题:树木松 ;其他主题:树木杨柳 ;其他主题:建筑台阁 ;其他主题:建筑篱笆、围墙 ;其他主题:船篷舟 ;其他主题:山水山径 ;其他主题:人物高士(士人、隐士)士人;其他主题:人物渔夫、船夫船夫技法:
皴法披麻皴皴法斧劈皴苔点参考资料:
收藏着录: 石渠宝笈初编(御书房),下册,页1144 收藏着录: 故宫书画录(卷五),第三册,页439 收藏着录: 故宫书画图录,第九册,页139-140 内容简介(中文): 赵左(活动于西元一六0三-一六二九年前后),江苏华亭人,字文度,善画山水。受业于宋旭。惜墨构思,不轻意落笔。画云山能自出新意,有似米非米之妙处。 画江坞村居,凭楼远眺。长桥横锁,云山巍然。林木湿润,层次井然。杂以烟岚,有骤雨初晴的感觉。江边烟雾,时现时隐。画山最特出,先以淡墨遍皴,再用焦墨提破,因此光彩显现而笔墨浑厚。 内容简介(英文): Chao Tso, whose style name was Wen-tu, was a native of Hua-t’ing in Kiangsu. He excelled at landscape painting, an art he learned from the painter Sung Hsü. He used ink sparingly, and only after great reflection, never dotting his brush thoughtlessly on paper. In painting clouds and mountains, he could convey the scenes of his own imagination, though incorporating the essential features of Mi Fu. In this painting of a dwelling in a river village, a vast distance extends beyond the pavilion. A long bridge guards the lofty mountains blanketed in clouds; the moist trees are painted in logical gradations. The mountain mists, now obscuring, now clearing, capture the feeling of rain just having ceased. The mountains, Chao Tso’s best feature, have been rendered first by modeling in pale washs, then have been built up to a shimmering solid mass of dry ink dots.