书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：乐善堂图书记
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：赫奕；题跋位置：本幅；款识：臣赫奕恭画；书体：楷书；全文： 印记：臣赫奕、恭画

题跋类别：题跋；作者：清圣祖；题跋位置：本幅；款识：无；书体：行书；全文：（康熙御题。诗文不录。）印记：康熙宸翰、保合太和

主题:

主要主题：山水  ；其他主题：山水江河、湖海江河；其他主题：树木  ；其他主题：船篷舟 ；其他主题：人物渔夫、船夫 ；其他主题：山水云 

技法:

写意 皴法米点皴人物衣纹描法(减笔) 

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页814 收藏着录： 故宫书画录（卷五），第三册，页509 收藏着录： 故宫书画图录，第十册，页39-40 内容简介（中文）： 赫奕生卒年不详，一作赫匮，康熙间满洲人。别号澹士，善画山水，为王原祁弟子，而于师法外，能参酌前人，不落时习。本幅用米家云山画法，以浓淡墨点重叠破染，故积墨苍郁，特别能够表现出那云气氲氤，景物迷蒙的情致。 内容简介（英文）： The exact birth and death dates of Ho I (sobriquet Tan-shih) are unknown, though he is known to have been a Manchurian active during the reign of the K’ang-hsi emperor (r. 1662-1722). A disciple of Wang Yüan-ch’i, he excelled at painting landscapes. In addition to the works of his teacher, Ho I also studied the works of former masters, but he never fell into the mannerisms of his day. In this painting, Ho I used the “cloudy mountain” painting method originated by Mi Fu (1041-1107), who employed light and dark ink dots to render multiple ridges and banks in monochrome washes. Ho I thus achieved an ample accumulation of ink and was especially able to represent the feeling of a vast, obscure scene.