书体:
色彩:
设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：赫奕；题跋位置：本幅；款识：臣赫奕恭画；书体：楷书；全文： 印记：臣赫奕、恭画主题:
主要主题：山水 ；次要主题：树木松 ；次要主题：树木杨柳 ；次要主题：建筑桥 ；次要主题：建筑房舍 ；其他主题：山水溪涧、湍泉溪涧；其他主题：树木技法:
写意 皴法 皴法米点皴参考资料:
收藏着录： 石渠宝笈初编（养心殿），上册，页672 收藏着录： 故宫书画录（卷八），第四册，页92 收藏着录： 故宫书画图录，第十册，页53-54 内容简介（中文）： 作者赫奕，一作赫颐，生死时年不详，康熙间满洲人。别号澹士。善画山水，为王原祁弟子，但作品于师法外，尚能参考前人，不落时习。如本幅画山石，主要采取「米家云山」画法，不用多皴，而以浓淡墨点重叠破染，是故积墨苍郁，笔踪混化，特别能够表现出那种空气湿润、云气氲氤中，峰峦浑厚，远近景物分明的情致。 内容简介（英文）： In this painting Ho I has carefully followed the manner of the Sung dynasty artist Mi Fu in describing the mountains and rocks. He has used texture-strokes only sparingly, but has employed various tonalities of ink and repeated layers of dots to create a sense of surface texture, thus achieving an ample accumulation of ink. His brushstrokes are complex and represent especially well a moist, airy atmosphere. Ridges and peaks are massive and grand, and a sense of distant and near views is clearly transmitted. The painter Ho I was a Manchurian by birth; although the exact dates of his birth and death remain uncertain, he is known to have been active during the K’ang-hsi reign period (1662-1722). A disciple of Wang Yüan-ch’i, he excelled in painting landscapes. In addition to the works of his teacher, he also studied the works of former masters, yet he never adopted the mannerisms of his day.
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