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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:张宗苍;题跋位置:本幅;款识:臣张宗苍恭绘;书体:楷书;全文: 印记:张、宗苍主题:
主要主题:山水 主要主题:山水江河、湖海江河;其他主题:建筑亭 ;其他主题:建筑台阁 ;其他主题:山水山径 ;其他主题:树木技法:
写意 皴法披麻皴苔点 皴法参考资料:
收藏着录: 石渠宝笈续编(圆明园等处),第七册,页3878 收藏着录: 故宫书画录(卷五),第三册,页561 收藏着录: 故宫书画图录,第十三册,页7-8 内容简介(中文): 张宗苍(西元一六八六-一七五六年),江苏吴县人,字默存,一字墨岑,号篁村。善山水,出黄鼎之门,为王原祁再传弟子。乾隆辛未(一七五一)入都,祇候内廷。 江潮壮阔,远岸山峦重重。波浪汹湧浩大,遇崖石处,激起银色的怒涛。山石林木之笔墨,颇得王原祁松秀苍茫之趣。 内容简介(英文): Tide at the Mouth of the RiverChang Tsung-ts’ang (1686-1756)Ch’ing Dynasty Chang Tsung-ts’ang was a native of Wu-hsien, Kiangsu. His style names were Mo-ts’un and Mo-ts’en, and his sobriquet was Huang-ts’un. He excelled at landscape painting and was a student of Huang Ting (1660-1730), who was a disciple of Wang Yüan-ch’i(1642-1715). In 1751, he was summoned to the capital to serve as court artist. In this painting, beyond the expanse of water lies a vast range of mountains layered into the far distance. Waves lap against the steep, rocky banks, giving rise to whitecaps which glow silver against the water. The brushwork in the mountains and trees to a great extent captures the unrestrained, elegant, and expansive style of Wang Yüan-ch’i.