书体:
色彩:
水墨装裱形式:
轴创作时间:
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质地:
本幅纸诗塘纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：董邦达；题跋位置：本幅；款识：臣董邦达敬绘；书体：楷书；全文： 印记：臣邦达印主题:
主要主题：佛道人物观音 ；次要主题：树木竹 ；其他主题：器用家俱（屏风）坐垫技法:
白描 人物衣纹描法(匀称线条) 皴法参考资料:
收藏着录： 秘殿珠林续编（干清宫），页335 收藏着录： 故宫书画录（卷五），第三册，页567 收藏着录： 故宫书画图录，第十一册，页395-396 内容简介（中文）： 董邦达（西元一六九九－一七六九年），浙江富阳人。字孚存，号东山。雍正癸丑进士，乾隆时，以博学精考核，命入内廷，襄编〔石渠宝笈〕诸书，后仕至礼部尚书。性好书法绘图，山水喜宗元人笔墨。 竹林崖岸，白衣大士趺坐巨石之上，顶安坐佛，低目凝想，面容慈祥。全幅笔法松秀。 内容简介（英文）： BodhisattvaTung Pang-ta (1699-1769)Ch’ing Dynasty Tung Pang-ta was a native of Fu-yang. Chekiang. His style name was Fu-ts’un and his sobriquet was Tung-shan. Tung Pang-ta received his chin-shih degree in 1733, and because of his broad knowledge and investigative skills was brought to the court and made an assistant editor in the compilation of the palace collection catalogues, such as Shih-ch’ü pao-chi., etc. He later served as President of the Board of Rites. Tung Pang-ta was fond of painting and calligraphy, and his landscape paintings follow the style of the Yüan masters. In a bamboo grove by a cliff, a white-robed Kuan-yin sits in meditation stop a large rock. Eyes are lowered in deep meditation; the countenance of the face is compassionate. The brushwork of the entire painting is relaxed and elegant.
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