书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：周臣；题跋位置：本幅；款识：姑苏周臣；书体：草书；全文： 印记：东邨、舜卿、鹅场散人

主题:

主要主题：人物高士（士人、隐士）高士２人主要主题：树木杨柳 主要主题：建筑亭水亭（与水榭指同一）主要主题：建筑水榭 ；次要主题：山水夏景 ；次要主题：人物侍从（侍女、童仆）童仆１人；次要主题：器用家俱（屏风）屏风；次要主题：船篷舟 ；其他主题：器用文玩（琴棋书画）琴、负琴囊；其他主题：器用乐器笛；其他主题：器用文房用具书卷；其他主题：器用饮食器壶、杯、盘；其他主题：山水江河、湖海 

技法:

工笔 写意 皴法斧劈皴人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页338 收藏着录： 故宫书画图录，第六册，页309-310 参考书目： 1.何传馨，〈明周臣水亭清兴〉，收入何传馨、许郭璜编，《夏景山水画特展图录》（台北：国立故宫博物院，1991年七月初版），页99。 内容简介（中文）： 周臣（约西元一四五○至一五三五年），江苏苏州人，字舜卿，号东邨，善画山水人物。山水师陈暹，间传宋人画法，得力于刘松年、李唐、马远，夏珪最多。用笔纯熟缜密，风骨峭劲雅健，尝传授画法于唐寅，仇英。本幅画河边柳岸，一亭一舟，中各一人。或凭榻而坐，或横笛濯足。一书僮挟琴而至，树梢柔枝轻摇，水面波纹如动，令人有凉生心底之感。 内容简介（中文）： 周臣（约西元一四五○－一五三五年左右），江苏吴县人。字舜卿，号东邨。画山水师承陈暹，学得宋人的画法。 江面水波荡漾，茅亭中有位士人敞衣閒坐，岸边坡石下，有人坐于船头吹笛，双脚则浸放在水中，极清凉閒适，写出夏日在水滨徜徉、悠游的乐趣。用笔缜密稳健，画风近似南宋马远、夏圭。 内容简介（中文）： 周臣（约西元一四五○－一五三五年），江苏苏州人，字舜卿，号东邨，善画山水人物。山水师陈暹，与刘松年、李唐、马远、夏珪等南宋大家。用笔纯熟缜密，风骨峭劲雅健，尝传授画法于唐寅、仇英。本幅画河边柳岸，一亭一舟，中各一人。亭中士人敞衣凭榻而坐，岸边坡石下，另一人坐于船头横笛濯足。书僮挟琴而至，树梢柔枝轻摇，水面波纹如动，写出夏日徜徉水滨，清凉閒适的乐趣。(20110408) 内容简介（英文）： Zhou Chen, a native of Suzhou, Jiangsu, excelled at landscapes and figures. In landscapes he followed Chen Xian with the style of Song artists, achieving mostly those of Liu Songnian, Li Tang, Ma Yuan, and Xia Gui. His brushwork was skilled and deliberate, his vigorous style powerful yet elegant. His methods were transmitted to Tang Yin and Qiu Ying. This work depicts a riverbank with willows as well as a pavilion and boat. A seated scholar reclines in a thatched hall as a person sits in a skiff in the lower right by the shore playing a bamboo flute. A boy carries a wrapped lute as pliant tree branches sway and ripples of water seem to move. It depicts a leisurely waterside summer scene of coolness and relaxation, which the viewer also seems to feel.(20110408) 内容简介（英文）： Relaxing in a Waterside Pavilion Chou Ch’en (fl. 1450-1535) Ming Dynasty Chou Ch’en was a native of Wu-hsien, Kiangsu. His style-name was Shun-ch’ing and his sobriquet was Tung-ts’un. In painting landscapes, Chou Ch’en took Ch’en Hsien (1405-1496) as his teacher and based his style on the work of the Sung dynasty masters. This painting is a depiction of a willowy riverbank. A pavilion and boat are shown. In the pavilion a figure reclines on a couch, whilst the figure in the boat plays on a flute and dangles his legs in the water. Chou Ch’en has captured the delightful feeling of the coolness of the water and a leisurely attitude in summer. His brushwork is tightly organized and strong, resembling that of Ma Yüan and Hsia Kuei of the Southern Sung dynasty. 内容简介（英文）： Relaxing in a Waterside Pavilion Chou Ch’en (fl. 1450-1535) Ming Dynasty Chou ch’en was a native of Wu-hsien in kiangsu. His style-name was Shun-ch’ing and his sobriquet was Tung-ts’un. In painting landscapes Chou Ch’en took Ch’en Hsien (1405-1496) as his teacher and based his style on the work of the Sung dynasty masters, copying the works of Li T’ang, Liu sung-nien, Ma Yüan, and Hsia Kuei. His brushwork is experienced and close-knit, His style is aggressively bold; later he transmitted his methods to T’ang Yin and Ch’iu Ying. This painting is of a river bank, with willows, and a pavilion and boat are shown. A figure reclines on a couch in the pavilion, whilst the figure in the boat plays on a flute and dangles his legs in the water. A boy carries a ch’in (lute). The trees are pliant and the brcnches gently sway; the ripples on the water seem to move. In all, the painting produces a feeling of coolness and relaxation in the viewer.