书体:
色彩:
水墨装裱形式:
卷创作时间:
元武宗至大三年(1310)文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:王振鹏;题跋位置:本幅;款识:至大庚戌(西元一三一0年)。王振鹏为翰林承旨曹公作。(石栏下小字款。)楷书主题:
主要主题:建筑宫殿 主要主题:建筑台阁 主要主题:建筑桥 主要主题:船龙舟 ;其他主题:船 ;其他主题:经史‧故事 故事(宝津竞渡);其他主题:节令与二十四节气清明 ;其他主题:人物官员(臣)官员;其他主题:人物渔夫、船夫船夫;其他主题:人物百姓 ;其他主题:树木 ;其他主题:树木松 ;其他主题:树木杨柳 ;其他主题:翎毛 ;其他主题:建筑水榭 ;其他主题:建筑亭 ;其他主题:建筑池水 ;其他主题:建筑栏杆 ;其他主题:器用乐器 ;其他主题:器用鸟笼 ;其他主题:器用旗技法:
白描 界画 人物衣纹描法(粗细线条)参考资料:
收藏着录: 石渠宝笈续编(养心殿),第二册,页991 收藏着录: 故宫书画录(卷四),第二册,页121 收藏着录: 故宫书画图录,第十七册,页199-202 参考书目: 1.陈韵如,〈「界画」在宋元时期的转折:以王振鹏的界画为例〉,《国立台湾大学美术史研究集刊》,第26期(2009),页135-192。 内容简介(中文): 王振鹏(约西元一二八○—一三二九年),浙江永嘉人,字朋梅,元仁宗赐号孤云处士。任秘书监典簿,累迁至漕运千户,以界画名闻于世。此卷绘《东京梦华录》卷七所载北宋清明节时皇帝驾临开封金明池,观看诸军杂乐百戏与龙舟竞渡等活动。据卷末署款,绘于元武宗至大三年(1310),王氏用细密繁复的线条勾画宫殿楼阁、大小龙船,同时也绘制热闹的杂乐百戏等民俗活动,是为元代界画之精品。(20100101) 内容简介(中文): 王振鹏(约活动于西元一二八○—一三二九年),永嘉人(浙江温州)。字明梅,受知仁宗,赐号孤云处士。界画极工致,毫分缕析,左右高下,俯仰曲折,方圆平直,曲尽其体,而神气飞动。本院藏王振鹏界画手卷共三幅,而构图略同,皆画宋代习俗,农历三月三日开放金明池,龙舟竞渡,百戏杂陈。 内容简介(英文): Wang Chen-p'eng, a native of Chekiang province, was recognized by Emperor Jen-tsung (r.1312-1320). He excelled at detailed and meticulous fine line painting (chieh-hua). With brushstrokes as fine as hair, all the forms in his works appear solid and proportional. Rendering the outward form to its fullest, he still was able to capture the spirit.In the Museum collection are three ruled-line handscrolls with similar compositions. They all represent the Sung dynasty (960-1279) custom of opening to the public the Gold Moon Lake in the palace on the third day of the third lunar month and holding a dragon boat regatta. The result is a festive setting of imperial splendor. 内容简介(英文): Wang Zhenpeng (style name Pengmei) was a native of Yongjia, Zhejiang, and given the sobriquet Guyun chushi by Emperor Renzong (Buyantu Khan; r. 1311-1320). He was Archivist in the Imperial Library and rose to Grain Transport Officer, but he was best known for his ruled-line painting. This work depicts the Northern Song (960-1127) emperor at Jinming Pond in Kaifeng on the Qingming Festival, as recorded in Dream Journey to the Eastern Capital. It shows him watching the forces and merriments along with a dragon boat regatta. The inscription at the end indicates this work was done in 1310. Wang Zhenpeng used fine, complex lines to precisely delineate the palatial structures and boats of all sizes, also depicting raucous genre scenes of merriment, making this a masterpiece of Yuan dynasty ruled-line painting.(20100101)